
Toward Sound
The Practice of Phonography, Noise, and Free Improvisation in the Eastern US
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This study examines three styles of textural music --phonography, noise, and free improvisation -- musicwhich is based upon the layering of spectrally dense fabrics of sound, often improvised and performedlive in front of an audience. In particular, Idiscuss the American Northeast Corridor subculturesand communities that host these scenes by describingsome of my own experiences as well as those ofimportant artists who work within these realms ofsound. Through these investigations, I demonstrate theimportance of these points of view within the largermusical discourse.
This study examines three styles of textural music --
phonography, noise, and free improvisation -- music
which is based upon the layering of spectrally dense fabrics of sound, often improvised and performed
live in front of an audience. In particular, I
discuss the American Northeast Corridor subcultures
and communities that host these scenes by describing
some of my own experiences as well as those of
important artists who work within these realms of
sound. Through these investigations, I demonstrate the
importance of these points of view within the larger
musical discourse.
phonography, noise, and free improvisation -- music
which is based upon the layering of spectrally dense fabrics of sound, often improvised and performed
live in front of an audience. In particular, I
discuss the American Northeast Corridor subcultures
and communities that host these scenes by describing
some of my own experiences as well as those of
important artists who work within these realms of
sound. Through these investigations, I demonstrate the
importance of these points of view within the larger
musical discourse.