Andere Kunden interessierten sich auch für
![Artists' Satisfaction Factors Toward Their Artist Management]( "Artists' Satisfaction Factors Toward Their Artist Management")
Artists' Satisfaction Factors Toward Their Artist Management38,99 €![Sound Frames]( "Sound Frames")
Sound Frames38,99 €![Compositional Strategies in Electroacoustic Music]( "Compositional Strategies in Electroacoustic Music")
Compositional Strategies in Electroacoustic Music38,99 €![A Survey of the History of Music in Afghanistan:]( "A Survey of the History of Music in Afghanistan:")
A Survey of the History of Music in Afghanistan:51,99 €![George Garzone and Improvisation]( "George Garzone and Improvisation")
George Garzone and Improvisation44,99 €![Keith Jarrett's Transformation of Standard Tunes]( "Keith Jarrett's Transformation of Standard Tunes")
Keith Jarrett's Transformation of Standard Tunes51,99 €![Conducting Masterworks for Wind Band]( "Conducting Masterworks for Wind Band")
Conducting Masterworks for Wind Band32,99 €
This study examines three styles of textural music --
phonography, noise, and free improvisation -- music
which is based upon the layering of spectrally dense fabrics of sound, often improvised and performed
live in front of an audience. In particular, I
discuss the American Northeast Corridor subcultures
and communities that host these scenes by describing
some of my own experiences as well as those of
important artists who work within these realms of
sound. Through these investigations, I demonstrate the
importance of these points of view within the larger
musical discourse.
phonography, noise, and free improvisation -- music
which is based upon the layering of spectrally dense fabrics of sound, often improvised and performed
live in front of an audience. In particular, I
discuss the American Northeast Corridor subcultures
and communities that host these scenes by describing
some of my own experiences as well as those of
important artists who work within these realms of
sound. Through these investigations, I demonstrate the
importance of these points of view within the larger
musical discourse.