Conferences, workshops and curricula are for the first time beginning to develop around the theme of 'world music theory', as students, teachers and researchers recognize the need for analytical concepts and methods applicable to a wider range of human musics. This book proposes a number of such concepts and methods and Mark Hijleh presents a broad attempt to apply them to a variety of musics in a relevant way that can be readily apprehended and applied by students, scholars and teachers.
Conferences, workshops and curricula are for the first time beginning to develop around the theme of 'world music theory', as students, teachers and researchers recognize the need for analytical concepts and methods applicable to a wider range of human musics. This book proposes a number of such concepts and methods and Mark Hijleh presents a broad attempt to apply them to a variety of musics in a relevant way that can be readily apprehended and applied by students, scholars and teachers.
Mark Hijleh has taught music theory and composition at the university level for more than 15 years. Currently Professor of Music at Houghton College, he holds the MA in World Music with distinction from the University of Sheffield; the DMA in Composition from Peabody Conservatory of Johns Hopkins University; the MM in Composition and Conducting from Ithaca College, and the BS in Music with Honors from William Jewell College. Recently he has spoken and written about world music theory though the College Music Society, the International Conference on Analytical Approaches to World Music, and the Society for Ethnomusicology. An active composer, Hijleh has also studied shakuhachi with Ronnie Nyogetsu Reishin Seldin.
Inhaltsangabe
Contents: Global music theory: issues, possibilities and fundamental concepts Global rhythm Global melody Global harmony Global synergy in musical processes and products Global analytical examples: comparisons and connections across musical cultures Further implications and conclusion Bibliography Index.
Contents: Global music theory: issues, possibilities and fundamental concepts Global rhythm Global melody Global harmony Global synergy in musical processes and products Global analytical examples: comparisons and connections across musical cultures Further implications and conclusion Bibliography Index.
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