First published in 1998. This is Volume IX, of nine in the Sociology of Culture series and looks at the a comparative essay on the structure and functioning of a major entertainment industry: the cinema.
First published in 1998. This is Volume IX, of nine in the Sociology of Culture series and looks at the a comparative essay on the structure and functioning of a major entertainment industry: the cinema.
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Inhaltsangabe
Introduction; Part 1 The Sociology of an Industry: Who Makes Films, How and Why?; Chapter 1 The Relevance of the Sociology of the Industry to the Sociology of the Medium-at-Large; Chapter 2 The Development of an Industry; Chapter 3 The Present Structure of Capitalist Production; Chapter 4 Roles and Recruitment to them; Chapter 5 Case Studies and Recapitulation; Part 2 The Sociology of an Audience: Who Sees Films and Why?; Chapter 6 The Role of the Audience in the Medium-at-Large; Chapter 7 Cinemagoing as a Social Institution; Chapter 8 The Screen Audiences; Part 3 The Sociology of an Experience: Who Sees Films and Why?; Chapter 9 The Role of Experience in the Medium-at-Large; Chapter 10 The Sociology of the Screen World; Chapter 11 The Western and the Gangster Film: The Sociology of Some Myths; Chapter 12 The Gangster-Spy; Chapter 13 The Musical; Part 4 The Sociology of Evaluation: How do We Learn about, and Appraise, Films?; Chapter 14 The Role of Evaluation in the Medium-at-Large; Chapter 15 The Structure of Promotion and Evaluation; Chapter 16 Towards an Objective Film Criticism;
Introduction; Part 1 The Sociology of an Industry: Who Makes Films, How and Why?; Chapter 1 The Relevance of the Sociology of the Industry to the Sociology of the Medium-at-Large; Chapter 2 The Development of an Industry; Chapter 3 The Present Structure of Capitalist Production; Chapter 4 Roles and Recruitment to them; Chapter 5 Case Studies and Recapitulation; Part 2 The Sociology of an Audience: Who Sees Films and Why?; Chapter 6 The Role of the Audience in the Medium-at-Large; Chapter 7 Cinemagoing as a Social Institution; Chapter 8 The Screen Audiences; Part 3 The Sociology of an Experience: Who Sees Films and Why?; Chapter 9 The Role of Experience in the Medium-at-Large; Chapter 10 The Sociology of the Screen World; Chapter 11 The Western and the Gangster Film: The Sociology of Some Myths; Chapter 12 The Gangster-Spy; Chapter 13 The Musical; Part 4 The Sociology of Evaluation: How do We Learn about, and Appraise, Films?; Chapter 14 The Role of Evaluation in the Medium-at-Large; Chapter 15 The Structure of Promotion and Evaluation; Chapter 16 Towards an Objective Film Criticism;
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