Towards a Theory of Life-Writing Genre Blending provides a look into the rules of life-writing genre blending proposing a theory to explain and illustrate the main regulations governing such genre play.
Towards a Theory of Life-Writing Genre Blending provides a look into the rules of life-writing genre blending proposing a theory to explain and illustrate the main regulations governing such genre play.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Marija Krsteva holds a PhD degree in American literature from the Sofia University "St. Kliment Ohridski" in Bulgaria. Her area of interest involves American studies, history, culture and literature, mainly contemporary literature, life-writing and genre blending. She has worked at the University "Goce Delcev" in Stip, Faculty of Philology since 2012 where she teaches American studies. Marija Krsteva is a Hemingway Society fellow for 2017.
Inhaltsangabe
Introduction 1. Chapter One - Postmodern genre play 1.1 Genre in literature 1.2 Genre play in postmodern writing 2. Chapter Two - Auto/Biography and literature 2.1 Literary biography 2.2 Biopreservation: the building block of postmodern literary biography 3. Chapter Three - F. Scot Fitzgerald and Ernest Hemingway as fictional characters 3.1 Fictionalizing Hemingway 3.2 Fictionalizing Fitzgerald 4. Chapter Four - Narrative identity and image building in Z: A Novel of Zelda Fitzgerald 5. Chapter Five - Narrative identity and image building in The Paris Wife 6.Conclusion
Introduction
1. Chapter One - Postmodern genre play
1.1 Genre in literature
1.2 Genre play in postmodern writing
2. Chapter Two - Auto/Biography and literature
2.1 Literary biography
2.2 Biopreservation: the building block of postmodern literary biography
3. Chapter Three - F. Scot Fitzgerald and Ernest Hemingway as fictional characters
3.1 Fictionalizing Hemingway
3.2 Fictionalizing Fitzgerald
4. Chapter Four - Narrative identity and image building in Z: A Novel of Zelda Fitzgerald
5. Chapter Five - Narrative identity and image building in The Paris Wife
Introduction 1. Chapter One - Postmodern genre play 1.1 Genre in literature 1.2 Genre play in postmodern writing 2. Chapter Two - Auto/Biography and literature 2.1 Literary biography 2.2 Biopreservation: the building block of postmodern literary biography 3. Chapter Three - F. Scot Fitzgerald and Ernest Hemingway as fictional characters 3.1 Fictionalizing Hemingway 3.2 Fictionalizing Fitzgerald 4. Chapter Four - Narrative identity and image building in Z: A Novel of Zelda Fitzgerald 5. Chapter Five - Narrative identity and image building in The Paris Wife 6.Conclusion
Introduction
1. Chapter One - Postmodern genre play
1.1 Genre in literature
1.2 Genre play in postmodern writing
2. Chapter Two - Auto/Biography and literature
2.1 Literary biography
2.2 Biopreservation: the building block of postmodern literary biography
3. Chapter Three - F. Scot Fitzgerald and Ernest Hemingway as fictional characters
3.1 Fictionalizing Hemingway
3.2 Fictionalizing Fitzgerald
4. Chapter Four - Narrative identity and image building in Z: A Novel of Zelda Fitzgerald
5. Chapter Five - Narrative identity and image building in The Paris Wife
6.Conclusion
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