Towards an Intermedial History of Brazilian Cinema
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This book resorts to a new, intermedial method in order to reconstruct the history of Brazilian cinema. From its inception Brazilian cinema has combined extra-filmic artistic and medial forms, resulting in an original aesthetic blend. Theatre, dance, music, circus, radio, television and the plastic arts have left a distinctive mark on Brazilian cinema's poetics and politics, as can be observed in a host of fascinating phenomena analysed in this book, including: screen and stage interactions in the silent era; the chanchada musical comedies, inflected by vaudeville theatre and the radio;…mehr

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Produktbeschreibung
This book resorts to a new, intermedial method in order to reconstruct the history of Brazilian cinema. From its inception Brazilian cinema has combined extra-filmic artistic and medial forms, resulting in an original aesthetic blend. Theatre, dance, music, circus, radio, television and the plastic arts have left a distinctive mark on Brazilian cinema's poetics and politics, as can be observed in a host of fascinating phenomena analysed in this book, including: screen and stage interactions in the silent era; the chanchada musical comedies, inflected by vaudeville theatre and the radio; Glauber Rocha's intermedial cosmogony; the manguebeat and árido movie movements that blurred the boundaries between music and film; and contemporary multimedia installations among others. By adopting intermediality as a historiographic method, this book will bring to the public, for the first time, the polymathic cultural wealth behind filmic expressions in Brazilian cinema through the lens of its most authoritative experts. Lúcia Nagib is Professor of Film at the University of Reading. Her many books include Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema (2020), World Cinema and the Ethics of Realism (2011) and Brazil on Screen: Cinema Novo, New Cinema, Utopia (2007). She is the co-director with Samuel Paiva of the award-winning documentary Passages. She is editor, with Julian Ross, of the World Cinema series and, with Tiago de Luca, of the Film Thinks series. Luciana Corrêa de Araújo is Assistant Professor at the Federal University of São Carlos (UFSCar), Brazil. She is the author of A crônica de cinema no Recife dos anos 50 (1997) and Joaquim Pedro de Andrade: primeiros tempos (2013) and co-editor of Estudos de cinema e audiovisual Socine Estadual São Paulo (2012). Tiago de Luca is Reader in Film Studies at the University of Warwick. He is the author of Planetary Cinema: Film, Media and the Earth (2022), Realism of the Senses in World Cinema: The Experience of Physical Reality (2014) and the editor (with Nuno Barradas Jorge) of Slow Cinema (2016). He is the editor (with Lúcia Nagib) of the Film Thinks series.
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Autorenporträt
Lúcia Nagib is Professor of Film at the University of Reading. Her many books include Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema (2020), World Cinema and the Ethics of Realism (2011) and Brazil on Screen: Cinema Novo, New Cinema, Utopia (2007). She is the co-director with Samuel Paiva of the award-winning documentary Passages. She is editor, with Julian Ross, of the World Cinema series and, with Tiago de Luca, of the Film Thinks series. Luciana Corrêa de Araújo is Assistant Professor at the Federal University of São Carlos (UFSCar), Brazil. She is the author of A crônica de cinema no Recife dos anos 50 (1997) and Joaquim Pedro de Andrade: primeiros tempos (2013) and co-editor of Estudos de cinema e audiovisual Socine Estadual São Paulo (2012).