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In this critical study of the influence of W.B. Yeats on the poetry and drama of Robinson Jeffers, Deborah Fleming examines similarities in imagery, landscape, belief in eternal recurrence, use of myth, distrust of rationalism, and dedication to tradition. She examines how the two men shared a vision of modernity, rejected contemporary values in favour of traditions, and created poetry that sought to change those values.

Produktbeschreibung
In this critical study of the influence of W.B. Yeats on the poetry and drama of Robinson Jeffers, Deborah Fleming examines similarities in imagery, landscape, belief in eternal recurrence, use of myth, distrust of rationalism, and dedication to tradition. She examines how the two men shared a vision of modernity, rejected contemporary values in favour of traditions, and created poetry that sought to change those values.
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Autorenporträt
Deborah Fleming is the author of �A man who does not exist� The Irish Peasant in the Work of W. B. Yeats and J. M. Synge; W. B. Yeats and Postcolonialism; Learning the Trade: Essays on W. B. Yeats and Contemporary Poetry; a novel, Without Leave; a book of poetry, Morning, Winter Solstice; and a forthcoming second poetry collection, Into a New Country. A professor of English at Ashland University, Fleming is the editor of the Ashland Poetry Press. She lives on a farm in northeastern Ohio with her husband, Clarke W. Owens (also a writer), two horses, and eight cats.