This book develops a compelling framework from which to understand the mobility of color in art and mind, where color impressions are seen through, and even governed by, patterns of ordinary language use, schemata, memories, and narrative.
This book develops a compelling framework from which to understand the mobility of color in art and mind, where color impressions are seen through, and even governed by, patterns of ordinary language use, schemata, memories, and narrative.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edward Branigan is Professor Emeritus in the Department of Film and Media Studies at the University of California, Santa Barbara. He is the author of Projecting a Camera: Language-Games in Film Theory; Narrative Comprehension and Film; and Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film. With Warren Buckland, he is the editor of The Routledge Encyclopedia of Film Theory. With Charles Wolfe, he is the general editor of the American Film Institute Film Readers series.
Inhaltsangabe
Preface 1. Introduction and Overview 2. Living with Chromophilia 3. Stand or Track? 4. What's in White? 5. Making it Color-Full 6. Musical Hues: Color Harmony 7. Track this Color (in Place) 8. Track that Color (in Movement) 9. Summary 10. Conclusion
Preface 1. Introduction and Overview 2. Living with Chromophilia 3. Stand or Track? 4. What's in White? 5. Making it Color-Full 6. Musical Hues: Color Harmony 7. Track this Color (in Place) 8. Track that Color (in Movement) 9. Summary 10. Conclusion
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826