Through a combination of musical-textual analysis with critical theory and with four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, this book interrogates the ideological underpinnings of Die Meistersinger¿s narrative.
Through a combination of musical-textual analysis with critical theory and with four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, this book interrogates the ideological underpinnings of Die Meistersinger¿s narrative.
Christopher Kimbell completed his PhD in 2020 (Royal Holloway, University of London) and now teaches music in a secondary school.
Inhaltsangabe
Music examples Acknowledgements Introduction: Nationalism and the aesthetic periphery 1 Walther: Conservation and reinvention 2 Sachs: In pursuit of universality 3 Entr'acte: On metareference and metapolitics 4 Beckmesser: Constructions of otherness 5 Eva: Repression and autonomy Conclusion: Towards a critical nationalism References Index
Music examples Acknowledgements Introduction: Nationalism and the aesthetic periphery 1 Walther: Conservation and reinvention 2 Sachs: In pursuit of universality 3 Entr'acte: On metareference and metapolitics 4 Beckmesser: Constructions of otherness 5 Eva: Repression and autonomy Conclusion: Towards a critical nationalism References Index
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