A collection of essays by a team of distinguished international contributors concerned with how Classic - mainly Greek and Latin but also Arabic and Portuguese - texts become present in later cultures; how they are passed on, received and affect over time and space, and how they resonate in the modern.
A collection of essays by a team of distinguished international contributors concerned with how Classic - mainly Greek and Latin but also Arabic and Portuguese - texts become present in later cultures; how they are passed on, received and affect over time and space, and how they resonate in the modern.
Jan Parker is Senior Research Fellow, Institute of Education Technology, Open University Timothy Mathews is Professor of French and Comparative Criticism, University College, London
Inhaltsangabe
* Prologue * Introduction: Images of Tradition, Translation, Trauma . . . * I. Handing on, Making Anew, Refusing the Classic * Proemion: Translating a Paean of Praise * 1: Lorna Hardwick: Fuzzy Connections: Classical Texts and Modern Poetry in English * 2: David Hopkins: Pope's Trojan Geography * 3: Pat Easterling: Sophoclean Journeys * 4: Matthew Fox: Cicero: Gentleman and Orator: Metaphors in Eighteenth Century Reception * 5: Richard Armstrong: Eating Eumolpus: Fellini Satyricon and Dreaming Tradition * 6: Rachel Bowlby: After Freud. Sophocles's Oedipus in the Twenty-First Century * II. Modernity and its Price: Nostalgia and the Classic * 7: Christopher Prendergast: The Price of the Modern: Walter Benjamin and Counterfactuals * 8: Jonathan Monroe: Composite Cultures, Chaos Wor(l)ds: Relational Poetics, Textual Hybridity, and the Future of Opacity * 9: Ian Patterson: Time, Free Verse and the Gods of Modernism * 10: Wen-Chin Ouyang: Lost in Nostalgia: Modernity's Repressed Other * III. The Time of Memory, the Time of Trauma * 11: Gail Holst-Warhaft: No Consolation: The Lamenting Voice and Public Memory * 12: Jane Montgomery Griffiths: The Abject Eidos: Trauma and the Body in Sophocles' Electra * 13: Jan Parker: What's Hecuba to him . . . that he should weep for her? * 14: George Rousseau: Modernism's Nostalgics, Nostalgia's Modernity * 15: Piotr Kuhiwczak: Mediating Trauma: How Do We Read the Holocaust Memoirs? * 16: Helena Buescu: History as Traumatic Memory: Das Áfricas * 17: Timothy Mathews: Reading the Invisible with Cees Nooteboom, Walter Benjamin and Alberto Giacometti * Conclusion: Can Anyone Look in Both Directions at Once? * Epilogue
* Prologue * Introduction: Images of Tradition, Translation, Trauma . . . * I. Handing on, Making Anew, Refusing the Classic * Proemion: Translating a Paean of Praise * 1: Lorna Hardwick: Fuzzy Connections: Classical Texts and Modern Poetry in English * 2: David Hopkins: Pope's Trojan Geography * 3: Pat Easterling: Sophoclean Journeys * 4: Matthew Fox: Cicero: Gentleman and Orator: Metaphors in Eighteenth Century Reception * 5: Richard Armstrong: Eating Eumolpus: Fellini Satyricon and Dreaming Tradition * 6: Rachel Bowlby: After Freud. Sophocles's Oedipus in the Twenty-First Century * II. Modernity and its Price: Nostalgia and the Classic * 7: Christopher Prendergast: The Price of the Modern: Walter Benjamin and Counterfactuals * 8: Jonathan Monroe: Composite Cultures, Chaos Wor(l)ds: Relational Poetics, Textual Hybridity, and the Future of Opacity * 9: Ian Patterson: Time, Free Verse and the Gods of Modernism * 10: Wen-Chin Ouyang: Lost in Nostalgia: Modernity's Repressed Other * III. The Time of Memory, the Time of Trauma * 11: Gail Holst-Warhaft: No Consolation: The Lamenting Voice and Public Memory * 12: Jane Montgomery Griffiths: The Abject Eidos: Trauma and the Body in Sophocles' Electra * 13: Jan Parker: What's Hecuba to him . . . that he should weep for her? * 14: George Rousseau: Modernism's Nostalgics, Nostalgia's Modernity * 15: Piotr Kuhiwczak: Mediating Trauma: How Do We Read the Holocaust Memoirs? * 16: Helena Buescu: History as Traumatic Memory: Das Áfricas * 17: Timothy Mathews: Reading the Invisible with Cees Nooteboom, Walter Benjamin and Alberto Giacometti * Conclusion: Can Anyone Look in Both Directions at Once? * Epilogue
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