Russ Leo examines how Reformation poets, theologians, and humanist critics turned to tragedy to understand providence and agencies human and divine. He explores the ways in which influential early modern poets and critics argued that tragedy was distinct from performance, and uniquely suited to philosophical reflection.
Russ Leo examines how Reformation poets, theologians, and humanist critics turned to tragedy to understand providence and agencies human and divine. He explores the ways in which influential early modern poets and critics argued that tragedy was distinct from performance, and uniquely suited to philosophical reflection.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Russ Leo is an Assistant Professor in the English Department at Princeton University. After receiving his PhD from the Program in Literature at Duke University he held a Perkins-Cotsen Postdoctoral Fellowship in the Society of Fellows at Princeton University. His articles have appeared in such academic journals as SEL: Studies in English Literature 1500-1900, Comparative Literature, Milton Studies, and the Journal of Medieval and Early Modern Studies as well as in edited collections such as The Oxford Handbook of the Early Modern Bible (edited by Kevin Kileen, Helen Smith, and Rachel Willie; OUP, 2015) and The Young Spinoza (edited by Yitzhak Y. Melamed; OUP, 2015). He is an editor (with Katrin Röder and Freya Sierhuis) of The Measure of the Mind: Fulke Greville and the Literary Culture of the English Renaissance (OUP, forthcoming).
Inhaltsangabe
Introduction--Tragedy's Intellectual Resources Part I [Protasis] Tragedy and Theology 1: Reformation Tragedy and Revelation: David Pareus' Tragic Typology 2: Lodovico Castelvetro's Heterodox Poetics: Tragic Accommodation 3: John Rainolds, Hamlet, and the Anti-Theatrical Aristotle Part II [Epitasis] Tragedy and the Limits of Philosophy 4: Necessity, Between Tragedy and Predestination: Daniel Heinsius and De tragoediae constitutione (1611) 5: Greek Tragedy and Hebrew Antiquity in John Milton's 1671 Poems Conclusion [Catastrophe]
Introduction--Tragedy's Intellectual Resources Part I [Protasis] Tragedy and Theology 1: Reformation Tragedy and Revelation: David Pareus' Tragic Typology 2: Lodovico Castelvetro's Heterodox Poetics: Tragic Accommodation 3: John Rainolds, Hamlet, and the Anti-Theatrical Aristotle Part II [Epitasis] Tragedy and the Limits of Philosophy 4: Necessity, Between Tragedy and Predestination: Daniel Heinsius and De tragoediae constitutione (1611) 5: Greek Tragedy and Hebrew Antiquity in John Milton's 1671 Poems Conclusion [Catastrophe]
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