Trails Plowed Under
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This is a classic work of Western nonfiction by a Montana artist whose drawings and paintings helped create the iconography of the early cowboy of the open range. Also a storyteller, Russell wrote this collection of yarns and memories before his death, commemorating frontier life in the closing decades of the nineteenth century. It was published in 1927, with an introduction by Will Rogers in the form of a cowboy eulogy. The original edition featured more than 50 of Russell's illustrations, some of them in color. Unlike the fairly rollicking account of Teddy Blue Abbott, his cowboy contemporar...
This is a classic work of Western nonfiction by a Montana artist whose drawings and paintings helped create the iconography of the early cowboy of the open range. Also a storyteller, Russell wrote this collection of yarns and memories before his death, commemorating frontier life in the closing decades of the nineteenth century. It was published in 1927, with an introduction by Will Rogers in the form of a cowboy eulogy. The original edition featured more than 50 of Russell's illustrations, some of them in color. Unlike the fairly rollicking account of Teddy Blue Abbott, his cowboy contemporary, Russell's book is a more melancholy view of what he remembers as the good old days. His stories are told in an ironic vernacular by an old-timer cowboy named Rawhide Rawlins. Many concern the adventures of cowboys; many also feature Native Americans, in the early years of the agencies (reservations), portrayed with some complexity of feelings, ranging from fear and distrust to respect. Some are outrageously tall tales. Some are spirited character sketches, capturing something of life on the rough, raw land before settlement and homesteading, the motorcar, and civilization - before the plow broke the prairie sod where buffalo and then cattle and cowboys ranged freely. One of the finest pieces of Western writing occurs in the last chapter, "Longrope's Last Guard," which describes in vivid detail the experience of riding herd on a pitch dark night as the stillness is shattered by an electrical storm that stampedes the cattle and takes the life of one of the men. The burial of the dead cowboy on the open prairie and the subsequent disappearance of his grave is symbolic of the passing of the brief frontier era Russell's words and pictures embrace. I recommend this book for its capturing of the historical cowboy as remembered by a man who was there and lived among them. As a companion volume, I also recommend Teddy Blue Abbott's "We Pointed Them North," a well-detailed and more light-hearted recollection of the same time and place. (Ron)
