This volume delves into the rich connections between rail travel and the creation of cultural products from short stories to novels, from photographs to travel guides, and from artistic manifestos of the avant-garde to Freud's psychology. Each of the contributions engages in critical readings of textual or visual representations of trains across a wide spectrum of time periods and traditions-from English and American to Mexican, West African, and European literary cultures.
This volume delves into the rich connections between rail travel and the creation of cultural products from short stories to novels, from photographs to travel guides, and from artistic manifestos of the avant-garde to Freud's psychology. Each of the contributions engages in critical readings of textual or visual representations of trains across a wide spectrum of time periods and traditions-from English and American to Mexican, West African, and European literary cultures.
Edited by Steven D. Spalding and Benjamin Fraser - Contributions by Roxanna Curto; Beth Muellner; Alessio Lerro; Claudie Massicotte; Claudia May; Scott Palmer; Matt Thompson and Michael Velez
Inhaltsangabe
Introduction Benjamin Fraser and Steven Spalding Part I. Race, Class, and Gender Chapter 1: Railroad Blues: Crossing the Tracks of Gender, Class and Race Inequities in the Blues and Ann Petry's The Street Claudia May Chapter 2: Nineteenth-Century German Women Writers on the Railroad Beth Muellner Part II. Politics and Poetics Chapter 3: Technology Transfer, the Railway and Independence in Ousmane Sembène's Les Bouts de bois de Dieu Roxanna Curto Chapter 4: Futurist Trains: Aesthetics and Subjectivity in the Italian Avant-Garde Alessio Lerro Part III. Visual Cultures Chapter 5: Sublime Hieroglyphics: The Pacific Coast Views 1867-1872 of Carleton Watkins Scott Palmer Chapter 6: Modernity, Anxiety and the Development of a Popular Railway Landscape Aesthetic, 1809-1879 Matt Thompson Part IV. New Critical Transfers Chapter 7: Mapping Memory Through the Railway Network: Reconsidering Freud's Metaphors from the Project for a Scientific Psychology to Beyond the Pleasure Principle Claudie Massicotte Chapter 8: Killer Trains and Thrilling Travels: the Spectacle of Mobility in Zola and Proust Steven D. Spalding Part V. Economics and Power Chapter : Class and Counterfeiting during the Porfiriato: Gutiérrez Nájera's "The Streetcar Novel" José Eduardo González Chapter 10: Train, Trestle, Ticker: Railroad and Region in Frank Norris's The Octopus and María Amparo Ruiz de Burton's The Squatter and The Don Michael Velez
Introduction Benjamin Fraser and Steven Spalding Part I. Race, Class, and Gender Chapter 1: Railroad Blues: Crossing the Tracks of Gender, Class and Race Inequities in the Blues and Ann Petry's The Street Claudia May Chapter 2: Nineteenth-Century German Women Writers on the Railroad Beth Muellner Part II. Politics and Poetics Chapter 3: Technology Transfer, the Railway and Independence in Ousmane Sembène's Les Bouts de bois de Dieu Roxanna Curto Chapter 4: Futurist Trains: Aesthetics and Subjectivity in the Italian Avant-Garde Alessio Lerro Part III. Visual Cultures Chapter 5: Sublime Hieroglyphics: The Pacific Coast Views 1867-1872 of Carleton Watkins Scott Palmer Chapter 6: Modernity, Anxiety and the Development of a Popular Railway Landscape Aesthetic, 1809-1879 Matt Thompson Part IV. New Critical Transfers Chapter 7: Mapping Memory Through the Railway Network: Reconsidering Freud's Metaphors from the Project for a Scientific Psychology to Beyond the Pleasure Principle Claudie Massicotte Chapter 8: Killer Trains and Thrilling Travels: the Spectacle of Mobility in Zola and Proust Steven D. Spalding Part V. Economics and Power Chapter : Class and Counterfeiting during the Porfiriato: Gutiérrez Nájera's "The Streetcar Novel" José Eduardo González Chapter 10: Train, Trestle, Ticker: Railroad and Region in Frank Norris's The Octopus and María Amparo Ruiz de Burton's The Squatter and The Don Michael Velez
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