Transatlantic Print Culture, 1880-1940

Emerging Media, Emerging Modernisms
Herausgegeben:Ardis, A.; Collier, Patrick; Collier, Patrick

• Broschiertes Buch

Produktbeschreibung

Building on recent work on Victorian print culture and the turn toward material historical research in modernist studies, this collection extends the frontiers of scholarship on the 'Atlantic scene' of publishing, exploring new ways of grappling with the rapidly changing universe of print at the turn of the twentieth century.

Produktdetails

• Verlag: Palgrave Macmillan / Palgrave Macmillan UK / Springer Palgrave Macmillan
• Artikelnr. des Verlages: 978-1-349-36387-2
• 1st ed. 2008
• Seitenzahl: 272
• Erscheinungstermin: 1. Januar 2008
• Englisch
• Abmessung: 216mm x 140mm x 15mm
• Gewicht: 347g
• ISBN-13: 9781349363872
• ISBN-10: 1349363871
• Artikelnr.: 45067957

Autorenporträt

LAUREL BRAKE is Professor and Senior Research Fellow at Birkbeck, University of London, UK SUZANNE W. CHURCHILL is Associate Professor of English at Davidson College, USA LUCY DELAP is a fellow of St Catharine's College, Cambridge, and a member of the History Faculty, University of Cambridge, UK MARIA DICENZO is Associate Professor of English at Wilfrid Laurier University, Canada LEONARD DIEPEVEEN is Professor of English at Dalhousie University, Canada BARBARA GREEN is Associate Professor of English at the University of Notre Dame, USA FIONA HACKNEY runs an MA in Twentieth Century Art& Design at University College Falmouth, UK MARK HAMPTON is Associate Professor of History at Lingnan University (Hong Kong), and a Fellow of the Royal Historical Society JEAN MARIE LUTES is Assistant Professor of English at Villanova University, USA KIRSTEN MACLEOD is Adjunct Professor in the English and Film Studies Department at the University of Alberta, Canada FRANCESCA SAWAYA is Associate Professor of English and Women's Studies at the University of Oklahoma, USA MARGARET D. STETZ is the Mae and Robert Carter Professor of Women's Studies and Professor of Humanities at the University of Delaware, USA

Inhaltsangabe

List of Illustrations Contributor Biographies Introduction; A.Ardis& P.Collier PART 1: HISTORY, CULTURE, AND THE PUBLIC SPHERE: DISCIPLINE, THEORY, METHODOLOGY Representing the Public Sphere: The New Journalism and its Historians; M.Hampton Staging the Public Sphere: Magazine Dialogism and the Prosthetics of Authorship at the Turn of the Twentieth Century; A.Ardis Transatlantic Print Culture: The Anglo-American Feminist Press and Emerging 'Modernities'; L.Delap & M.DiCenzo Feminist Things; B.Green PART 2: THE CULTURAL WORK OF PRINT MEDIA: MARKETS, INSTITUTIONS, AND AUDIENCES Philanthropy and Transatlantic Print Culture; F.Sawaya John O'London's Weekly and the Modern Author; P.Collier 'Women are News': British Women's Magazines 1919 - 1939; F.Hackney Christopher Morley's Kitty Foyle: (Em)bedded in Print; M.D.Stetz PART 3: MODERNISM ON/IN PRINT MEDIA, PRINT MEDIA IN/ON MODERNISM Journalism and Modernism, Continued: The Case of W. T. Stead; L.Brake Journalism, Modernity, and the Globe-Trotting Girl Reporter; J.M.Lutes The Fine Art of Cheap Print: Turn-of-the-Century American Little Magazines; K.MacLeod The Newspaper Response to Tender Buttons, and What It Might Mean; L.Diepeveen PART 4: AN EXPERIMENT IN PEDAGOGY Modernist Periodicals and Pedagogy: An Experiment in Collaboration; S.W.Churchill Index

Rezensionen

'Transatlantic Print Culture culminates a decade of vibrant work in periodical studies, and deepens our appreciation for the central role played by new forms of print culture in both Great Britain and the United States at the turn of the twentieth century... the most suggestive yet authoritative study to date.' - Kevin Dettmar, Professor of English, Southern Illinois University Carbondale, USA

'This excellent collection, addressing a broad range of periodicals between the dates of its title, is particularly well edited and logically classified. It makes fascinating reading not only for academic specialists in print culture (in particular magazines and periodicals), but also for any scholar interested in the various ways in which the cult of the new - from the new woman to the modern author to the new critic - pervaded twentieth-century print media at a burgeoning period.' - Routledge ABES June 2011