Transatlantic Television Drama looks at how serial dramas like Black Mirror captivate US audiences, and what this reveals about the ways Americans and Brits relate to each other on and off the screen.
Transatlantic Television Drama looks at how serial dramas like Black Mirror captivate US audiences, and what this reveals about the ways Americans and Brits relate to each other on and off the screen.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michele Hilmes is Professor Emerita at the University of Wisconsin-Madison, where she taught media studies for more than twenty years. Her books include Hollywood and Broadcasting: From Radio to Cable, Radio Voices: American Broadcasting 1922-1952, Network Nations: A Transnational History of British and American Broadcasting, and Only Connect: A Cultural History of Broadcasting in the United States. Roberta Pearson is Professor of Film and Television Studies at the University of Nottingham. Her books include Many More Lives of the Batman, Star Trek and American Television, Reading Lost: Perspectives on a Hit Television Show and Cult Television. Matt Hills is Professor of Media and Film at the University of Huddersfield, UK, and co-director of the Centre for Participatory Culture based there. His monographs include Fan Cultures, The Pleasures of Horror, Triumph of a Time Lord and Doctor Who: The Unfolding Event. He has published more than a hundred journal articles/book chapters on media fandom.
Inhaltsangabe
* Introduction: Flying the Flag for Contemporary Transatlantic Television Drama * Matt Hills, Michele Hilmes and Roberta Pearson * Part One: Transatlantic Industries * Section One Introduction * 1) Making Masterpiece Matter: The Transnational Cultural Work of America's Longest-Running Prime-Time Drama Series * Michele Hilmes * 2) Traveling Without a Passport: 'Original' Streaming Content in the Transatlantic Distribution Ecosystem * Karen Petruska and Faye Woods * 3) BBC America: Cloning Drama for a Transnational Network * Chris Becker * 4) Branding Bridges: Sky Atlantic, 'Quality' Imports and Brand Integration * Sam Ward * Part Two: Transatlantic Programs * Section Two Introduction * 5) Sherlock and Elementary: The Cultural and Temporal Value of High-end And Routine Transatlantic Television Drama * Roberta Pearson * 6) Mainstream trends and Masterpiece Traditions: ITV's Downton Abbey as a Hit Heritage Drama for Masterpiece in the US * Eva Redvall * 7) Meta-commentary and Mythology: Episodes as a Performance of Transatlantic TV * Jonathan Bignell * 8) Boundary collisions in HBO-BBC transnational coproduction: Rome and Parade's End * Robin Nelson * 9) Game of Thrones: Investigating British Acting * Gary Cassidy and Simone Knox * Part Three: Transatlantic Fans and Audiences * Section Three Introduction * 10)Black Mirror as a Netflix Original: Programme Brand 'Overflow' and the Multi-Discursive Forms of Transatlantic TV Fandom * Matt Hills * 11) Contextualizing Quality US Television Programs for the UK: The Guardian's Media and Televisions Blogs and the Role of Critics * Paul Rixon * 12) Fans, Fezzes and Freebies: Branding British Television Series at the San Diego Comic Con * Lincoln Geraghty * 13) From Imagined Communities to Contact Zones: American Monoculture in Transatlantic Fandoms * Lori Hitchcock Morimoto * 14) Crossing Over the Atlantic: SuperWhoLock as Transnational/Transcultural Fan Text * Paul Booth * Glossary * Index * Glossary
* Introduction: Flying the Flag for Contemporary Transatlantic Television Drama * Matt Hills, Michele Hilmes and Roberta Pearson * Part One: Transatlantic Industries * Section One Introduction * 1) Making Masterpiece Matter: The Transnational Cultural Work of America's Longest-Running Prime-Time Drama Series * Michele Hilmes * 2) Traveling Without a Passport: 'Original' Streaming Content in the Transatlantic Distribution Ecosystem * Karen Petruska and Faye Woods * 3) BBC America: Cloning Drama for a Transnational Network * Chris Becker * 4) Branding Bridges: Sky Atlantic, 'Quality' Imports and Brand Integration * Sam Ward * Part Two: Transatlantic Programs * Section Two Introduction * 5) Sherlock and Elementary: The Cultural and Temporal Value of High-end And Routine Transatlantic Television Drama * Roberta Pearson * 6) Mainstream trends and Masterpiece Traditions: ITV's Downton Abbey as a Hit Heritage Drama for Masterpiece in the US * Eva Redvall * 7) Meta-commentary and Mythology: Episodes as a Performance of Transatlantic TV * Jonathan Bignell * 8) Boundary collisions in HBO-BBC transnational coproduction: Rome and Parade's End * Robin Nelson * 9) Game of Thrones: Investigating British Acting * Gary Cassidy and Simone Knox * Part Three: Transatlantic Fans and Audiences * Section Three Introduction * 10)Black Mirror as a Netflix Original: Programme Brand 'Overflow' and the Multi-Discursive Forms of Transatlantic TV Fandom * Matt Hills * 11) Contextualizing Quality US Television Programs for the UK: The Guardian's Media and Televisions Blogs and the Role of Critics * Paul Rixon * 12) Fans, Fezzes and Freebies: Branding British Television Series at the San Diego Comic Con * Lincoln Geraghty * 13) From Imagined Communities to Contact Zones: American Monoculture in Transatlantic Fandoms * Lori Hitchcock Morimoto * 14) Crossing Over the Atlantic: SuperWhoLock as Transnational/Transcultural Fan Text * Paul Booth * Glossary * Index * Glossary
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