Elvira Pulitano is an assistant professor of ethnic studies at California Polytechnic State University. She is the author of Toward a Native American Critical Theory (Nebraska 2003). ¿ Contributors: Helmbrecht Breinig, Brigitte Georgi-Findlay, Kathryn Napier Gray, Ulla Haselstein, Hartwig Isernhagen, Yonka Krasteva, A. Robert Lee, Deborah L. Madsen, Simone Pellerin, Gaetano Prampolini, Elvira Pulitano, Bernadette Rigal-Cellard, Mark Shackleton, Paul Beekman Taylor, and Rebecca Tillett.
Elvira Pulitano is an assistant professor of ethnic studies at California Polytechnic State University. She is the author of Toward a Native American Critical Theory (Nebraska 2003). ¿ Contributors: Helmbrecht Breinig, Brigitte Georgi-Findlay, Kathryn Napier Gray, Ulla Haselstein, Hartwig Isernhagen, Yonka Krasteva, A. Robert Lee, Deborah L. Madsen, Simone Pellerin, Gaetano Prampolini, Elvira Pulitano, Bernadette Rigal-Cellard, Mark Shackleton, Paul Beekman Taylor, and Rebecca Tillett.
Elvira Pulitano is an assistant professor of ethnic studies at California Polytechnic State University. She is the author of Toward a Native American Critical Theory (Nebraska 2003). Contributors: Helmbrecht Breinig, Brigitte Georgi-Findlay, Kathryn Napier Gray, Ulla Haselstein, Hartwig Isernhagen, Yonka Krasteva, A. Robert Lee, Deborah L. Madsen, Simone Pellerin, Gaetano Prampolini, Elvira Pulitano, Bernadette Rigal-Cellard, Mark Shackleton, Paul Beekman Taylor, and Rebecca Tillett.
Inhaltsangabe
Contents
Acknowledgments Introduction Elvira Pulitano, California Polytechnic State University
Part 1. Theoretical Crossings 1. "They Have Stories, Don't They?": Some Doubts Regarding an Overused Theorem Hartwig Isernhagen, Universität Basel 2. Plotting History: The Function of History in Native North American Literature Bernadette Rigal-Cellard, Université Michel de MontaigneBordeaux 3 3. Transculturality and Transdifference: The Case of Native America Helmbrecht Breinig, Universität Erlangen-Nürnberg
Part 2. From Early Fiction to Recent Directions 4. American Indian Novels of the 1930s: John Joseph Mathews's Sundown and D'Arcy McNickle's Surrounded Gaetano Prampolini, Università di Firenze 5. Transatlantic Crossings: New Directions in the Contemporary Native American Novel Brigitte Georgi-Findlay, Technische Universität Dresden
Part 3. Trauma, Memory, and Narratives of Healing 6. Of Time and Trauma: The Possibilities for Narrative in Paula Gunn Allen's The Woman Who Owned the Shadows Deborah L. Madsen, Université de Genève 7. "Keep Wide Awake in the Eyes": Seeing Eyes in Wendy Rose's Poetry Kathryn Napier Gray, University of Plymouth 8. Anamnesiac Mappings: National Histories and Transnational Healing in Leslie Marmon Silko's Almanac of the Dead Rebecca Tillett, University of East Anglia
Part 4. Comparative Mythologies, Transatlantic Journeys 9. Vizenor's Trickster Theft: Pretexts and Paratexts of Darkness in Saint Louis Bearheart Paul Beekman Taylor, Université de Genève 10. "June Walked over It like Water and Came Home": Cross-Cultural Symbolism in Louise Erdrich's Love Medicine and Tracks Mark Shackleton, University of Helsinki 11. Encounters across Time and Space: The Sacred, the Profane, and the Political in Linda Hogan's Power Yonka Krasteva, University of Veliko Tarnovo, Bulgaria 12. Double Translation: James Welch's Heartsong of Charging Elk Ulla Haselstein, Freie Universität Berlin 13. Clown, Indians, and Poodles: Spectacular Others in Louis Owens's I Hear the Train Simone Pellerin, Université Paul-ValéryMontpellier III 14. Oklahoma International: Jim Barnes, Poetry, and the Sites of Imagination A. Robert Lee, Nihon University, Tokyo
Acknowledgments Introduction Elvira Pulitano, California Polytechnic State University
Part 1. Theoretical Crossings 1. "They Have Stories, Don't They?": Some Doubts Regarding an Overused Theorem Hartwig Isernhagen, Universität Basel 2. Plotting History: The Function of History in Native North American Literature Bernadette Rigal-Cellard, Université Michel de MontaigneBordeaux 3 3. Transculturality and Transdifference: The Case of Native America Helmbrecht Breinig, Universität Erlangen-Nürnberg
Part 2. From Early Fiction to Recent Directions 4. American Indian Novels of the 1930s: John Joseph Mathews's Sundown and D'Arcy McNickle's Surrounded Gaetano Prampolini, Università di Firenze 5. Transatlantic Crossings: New Directions in the Contemporary Native American Novel Brigitte Georgi-Findlay, Technische Universität Dresden
Part 3. Trauma, Memory, and Narratives of Healing 6. Of Time and Trauma: The Possibilities for Narrative in Paula Gunn Allen's The Woman Who Owned the Shadows Deborah L. Madsen, Université de Genève 7. "Keep Wide Awake in the Eyes": Seeing Eyes in Wendy Rose's Poetry Kathryn Napier Gray, University of Plymouth 8. Anamnesiac Mappings: National Histories and Transnational Healing in Leslie Marmon Silko's Almanac of the Dead Rebecca Tillett, University of East Anglia
Part 4. Comparative Mythologies, Transatlantic Journeys 9. Vizenor's Trickster Theft: Pretexts and Paratexts of Darkness in Saint Louis Bearheart Paul Beekman Taylor, Université de Genève 10. "June Walked over It like Water and Came Home": Cross-Cultural Symbolism in Louise Erdrich's Love Medicine and Tracks Mark Shackleton, University of Helsinki 11. Encounters across Time and Space: The Sacred, the Profane, and the Political in Linda Hogan's Power Yonka Krasteva, University of Veliko Tarnovo, Bulgaria 12. Double Translation: James Welch's Heartsong of Charging Elk Ulla Haselstein, Freie Universität Berlin 13. Clown, Indians, and Poodles: Spectacular Others in Louis Owens's I Hear the Train Simone Pellerin, Université Paul-ValéryMontpellier III 14. Oklahoma International: Jim Barnes, Poetry, and the Sites of Imagination A. Robert Lee, Nihon University, Tokyo
List of Contributors Index
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