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Disruptive montage has often been regarded as a potential threat to the dialogue between scholarly representations and the social world. This volume asserts the opposite: that the destabilization of commonsense perception is the very precondition for transcending social and cultural categories.

Produktbeschreibung
Disruptive montage has often been regarded as a potential threat to the dialogue between scholarly representations and the social world. This volume asserts the opposite: that the destabilization of commonsense perception is the very precondition for transcending social and cultural categories.
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Autorenporträt
Christian Suhr is a filmmaker and a post-doctoral research fellow in anthropology at Aarhus University. He is the co-director of the award-winning films Unity through Culture (DER, 2011), Ngat is Dead (DER, 2009), as well as Want a Camel, Yes? (Persona Film, 2005). He is author of the forthcoming ethnographic film monograph Descending with Angels about Islamic exorcism and Danish psychiatry and the article "Can Film Show the Invisible?" (with Rane Willerslev, Current Anthropology, 2012).