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This book uses theories of affect (especially Silvan Tomkins's and Melanie Klein's) to offer new interpretations of the poetics of Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. It analyzes the peculiar theatricality of the work of these artists in relation to technologies of graphic reproduction, especially television

Produktbeschreibung
This book uses theories of affect (especially Silvan Tomkins's and Melanie Klein's) to offer new interpretations of the poetics of Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. It analyzes the peculiar theatricality of the work of these artists in relation to technologies of graphic reproduction, especially television
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Autorenporträt
Adam Frank is Associate Professor of English at the University of British Columbia. He co-edited, with Eve Kosofsky Sedgwick, Shame and Its Sisters: A Silvan Tomkins Reader, and he has written and produced two full-length recorded audiodramas.