"This book considers the sculptures of Louise Bourgeois (1911-2010) in light of psychoanalyst D. W. Winnicott's (1896-1971) radical ideas regarding transitional objects, potential space, and play, offering a model for exploring the complex and psychologically evocative sculptures Bourgeois produced from 1947 to 2000. Bridging themes and concerns of modernism and postmodernism, the book reveals how Bourgeois brought a decades-long study of psychoanalysis to bear upon her sculptural production that was symbolic, metaphorical, but most importantly, useful"--
"This book considers the sculptures of Louise Bourgeois (1911-2010) in light of psychoanalyst D. W. Winnicott's (1896-1971) radical ideas regarding transitional objects, potential space, and play, offering a model for exploring the complex and psychologically evocative sculptures Bourgeois produced from 1947 to 2000. Bridging themes and concerns of modernism and postmodernism, the book reveals how Bourgeois brought a decades-long study of psychoanalysis to bear upon her sculptural production that was symbolic, metaphorical, but most importantly, useful"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction 0.1 Art and the Aesthetics of Play 0.2 Art and Transitional Objects 1: Femme Maison and the Materiality of Home (1945-1949) 1.1 Affects of Home Space 1.2 Metaphors of Body and Home 1.3 Home and the Material Unconscious 1.4 Environments of Estrangement 1.5 Unbearable Objects 2: Personages: Making, Transition, and Use (1947-1955) 2.1 Paradoxical Objects 2.2 Matter, Making, and Materiality 2.3 Sculpture Embodied 2.4 Sculpture as Theoretical Object 2.5 Objects for Losing One's Balance 3: Unruly Objects (1960-1968) 3.1 Pliable Stuff 3.2 Bound and Unbound 3.3 How to Undo an Object, or the Aesthetics of Undoing 3.4 How to Disturb the Order of Things 3.5 How to Use a Sculptural Object 4: Janus: Mothers, Ambivalence, and Play (1968-1989) 4.1 The Beginning(and End)of Softness 4.2 Paradoxes of Madness and Reason 4.3 War in the Nursery 4.4 Ruthless Love 4.5 Objects of Play and Imagination 4.6 Not Less than Everything 5: Cells: Evocative Object Worlds (1990-2000) 5.1 Containers and Containing Spaces 5.2 Cells as Bodily Spaces 5.3 Hidden Worlds 5.4 Collections, or Places, for Getting Lost 5.5 The Value of Nonsense Conclusion Index
Introduction 0.1 Art and the Aesthetics of Play 0.2 Art and Transitional Objects 1: Femme Maison and the Materiality of Home (1945-1949) 1.1 Affects of Home Space 1.2 Metaphors of Body and Home 1.3 Home and the Material Unconscious 1.4 Environments of Estrangement 1.5 Unbearable Objects 2: Personages: Making, Transition, and Use (1947-1955) 2.1 Paradoxical Objects 2.2 Matter, Making, and Materiality 2.3 Sculpture Embodied 2.4 Sculpture as Theoretical Object 2.5 Objects for Losing One's Balance 3: Unruly Objects (1960-1968) 3.1 Pliable Stuff 3.2 Bound and Unbound 3.3 How to Undo an Object, or the Aesthetics of Undoing 3.4 How to Disturb the Order of Things 3.5 How to Use a Sculptural Object 4: Janus: Mothers, Ambivalence, and Play (1968-1989) 4.1 The Beginning(and End)of Softness 4.2 Paradoxes of Madness and Reason 4.3 War in the Nursery 4.4 Ruthless Love 4.5 Objects of Play and Imagination 4.6 Not Less than Everything 5: Cells: Evocative Object Worlds (1990-2000) 5.1 Containers and Containing Spaces 5.2 Cells as Bodily Spaces 5.3 Hidden Worlds 5.4 Collections, or Places, for Getting Lost 5.5 The Value of Nonsense Conclusion Index
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