Beverley Diamond

Transforming Ethnomusicology Volume I

Methodologies, Institutional Structures, and Policies
Herausgeber: Castelo-Branco, Salwa El-Shawan

• Broschiertes Buch

Produktbeschreibung

This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.

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Produktdetails

• Verlag: Oxford University Press Inc
• Seitenzahl: 282
• Erscheinungstermin: 9. März 2021
• Englisch
• Abmessung: 234mm x 152mm x 18mm
• Gewicht: 436g
• ISBN-13: 9780197517611
• ISBN-10: 0197517617
• Artikelnr.: 60354740

Autorenporträt

Beverley Diamond is Professor Emerita at Memorial University of Newfoundland where she served as the first Canada Research Chair in Ethnomusicology and founded and directed the Research Centre for the Study of Music, Media, and Place (MMaP) from 2003-15. Diamond is known for her feminist music research and her work on Canadian cultural historiography and Indigenous music cultures in North America and Scandinavia. Salwa El-Shawan Castelo-Branco is Professor of Ethnomusicology at the Faculty of Social Sciences and Humanities of the Nova University of Lisbon, Portugal, where she founded and directs the Ethnomusicology Institute - Center for the Study of Music and Dance (INET-md). Her publications focus on cultural politics, musical nationalism, identity, music media, modernity, heritagization, and music and conflict in Portugal, Egypt, and Oman.

Inhaltsangabe

* Ethnomusicological Praxis: An Introduction
* Beverley Diamond and Salwa El-Shawan Castelo-Branco
* Chapter 1: Changing Praxis and Ethical Practice: Lessons for
Ethnomusicology from Applied Anthropology
* Tony Seeger
* Chapter 2: International Council for Traditional Music and Society
for Ethnomusicology: A Reflection through Two Complementary Lenses
* Svanibor Pettan
* Chapter 3: Collaborative Ethnography: Trends, Developments, and
Opportunities
* Luke Eric Lassiter
* Chapter 4: Sincerely Outspoken: Towards a Critical Activist
Ethnomusicology
* David A. McDonald
* Chapter 5: "How Is that Going to Help Anyone?" A Critical Activist
Ethnomusicology
* Oliver Y. Shao
* Chapter 6: Praxis through Honk: The Rise of Politically Active Street
Brass Bands in the United States
* Becky Liebman
* Chapter 7: Zafé Fatra (The Affair of Trash) and the Affair of
Scholarly Engagement: Can Music (and Music Scholarship) Really Clean
Up the Streets of Port-au-Prince?
* Rebecca Dirksen
* Chapter 8: Engaged Activist Research: Dialogical Interventions
Towards Revitalizing the Chinese Glove Puppet Theatre in Penang
* Tan Sooi Beng
* Chapter 9: On Not Knowing: Academically Based Community Service,
Faith Based Organizations, and the Transformation of
Ethnomusicological Praxis
* Carol Muller and Nina Öhman
* Chapter 10: Performing Transitional Justice: Song, Truth-telling and
Memory in South Sudan
* Angela Impey
* Chapter 11: Witnessing: A Methodology
* Deborah Wong