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In Renaissance Florence, churches were once internally divided by monumental screens, impressive artistic structures which separated the laity from the clergy. This book reconstructs the social and visual effects of these layouts and examines the religious and aesthetic motivations behind the elimination of screens in the Counter-Reformation.

Produktbeschreibung
In Renaissance Florence, churches were once internally divided by monumental screens, impressive artistic structures which separated the laity from the clergy. This book reconstructs the social and visual effects of these layouts and examines the religious and aesthetic motivations behind the elimination of screens in the Counter-Reformation.
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Autorenporträt
Joanne Allen studied at the Courtauld Institute of Art and the University of Warwick, and completed postdoctoral fellowships in Rome, Florence, and Venice. She teaches at American University, where she won a teaching award, and her research has been supported by the Renaissance Society of America and the Italian Art Society. She is a choral singer and artist.