Transgression(s) in Twenty-First-Century Women's Writing in French
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Transgression(s) in Twenty-First-Century Women's Writing in French analyses the literary transgressions of women's writing in French since the turn of the twenty-first century in the works of both established figures and the most exciting and innovative authors from across the francosphère. Transgression(s) in Twenty-First-Century Women's Writing in French étudie les transgressions littéraires dans l'écriture des femmes en français depuis le début du XXIe siècle dans les oeuvres de figures bien établies aussi bien que chez les auteures les plus innovantes de la francosphère.

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Produktbeschreibung
Transgression(s) in Twenty-First-Century Women's Writing in French analyses the literary transgressions of women's writing in French since the turn of the twenty-first century in the works of both established figures and the most exciting and innovative authors from across the francosphère. Transgression(s) in Twenty-First-Century Women's Writing in French étudie les transgressions littéraires dans l'écriture des femmes en français depuis le début du XXIe siècle dans les oeuvres de figures bien établies aussi bien que chez les auteures les plus innovantes de la francosphère.
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Autorenporträt
Kate Averis teaches European literatures at the Universidad de Antioquia (Colombia). She has published on contemporary women's writing in French and Spanish, including Exile and Nomadism in French and Hispanic Women's Writing (2014). Egle Kačkute is Associate Professor in French and Migration Studies at Vilniaus Universitetas. She has published on contemporary women's writing in French, English and Lithuanian, and on motherhood, including Portrait of a (Working) Mother (with Marina Cavazza, 2019). Catherine Mao works on literature and art history. She has published widely on text-image culture, contemporary graphic novels and women's writing in French.