Transitions in Mid-Baroque Music
Style, Genre and Performance
Herausgeber: Churnside, Carrie
Transitions in Mid-Baroque Music
Style, Genre and Performance
Herausgeber: Churnside, Carrie
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Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period.
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Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer Ltd
- Seitenzahl: 362
- Erscheinungstermin: 28. Mai 2024
- Englisch
- Abmessung: 234mm x 156mm x 21mm
- Gewicht: 738g
- ISBN-13: 9781837651580
- ISBN-10: 1837651582
- Artikelnr.: 69526269
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Boydell & Brewer Ltd
- Seitenzahl: 362
- Erscheinungstermin: 28. Mai 2024
- Englisch
- Abmessung: 234mm x 156mm x 21mm
- Gewicht: 738g
- ISBN-13: 9781837651580
- ISBN-10: 1837651582
- Artikelnr.: 69526269
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Edited by Carrie Churnside
List of Illustrations Acknowledgements List of Abbreviations Preface -
Carrie Churnside Part I. Historical and Geographical Transitions in German
and English Instrumental Music 1. Duplex Genius: The French and Italian
Musical Styles in the Instrumental Works of Johann Christoph Pez -
Samantha Owens 2. Changing Concepts and Priorities: The German Consort
Suite at the Start of the Eighteenth Century - Michael Robertson 3. French
Dances and the Consort Dances of Matthew Locke and his English
Contemporaries - Andrew Woolley 4. 'Italian sonatas in orchestral garb':
Purcell and the 'reforme of musickal' Italiana' - Alan Howard Part II.
Changing Notational and Performance Practices 5. Key Signatures before
Keys: Conceptualising and Notating Pitch Relations in the Seventeenth
Century - Gregory Barnett 6. Continuity and Change in Continuo Practice:
The Case of Italian Opera - Peter Holman Part III. Two Case Studies in
Mid-Baroque Church Music 7. Musical Transitions at St. Mary's Church in
Lübeck, 1630-1705 - Kerala J. Snyder 8. The Creation of a 'Bolognese
Style': Maurizio Cazzati as the Driving Force Behind Evolving Musical Taste
in Bologna (1657-1671) - Rodolfo Zitellini Part IV. Transition in Italian
Instrumental Music 9. On the Cusps of Stylistic Change: Vivaldi's Sonata RV
820 for Violin, Cello and Continuo and its Seventeenth-Century Roots -
Michael Talbot 10. Naples at a Crossroads: Transformations in Neapolitan
Instrumental Music at the turn of the Seventeenth Century - Guido Olivieri
Part V. Change and Influence in Vocal Music 11. How Italian is the
tragédieen musique of Quinault and Lully? - Michael Klaper 12. Euterpe's
Revenge, or: The Italian Opera Aria c. 1660-1720 - Colin Timms 13. 'Ho
procurato di seguitare ... i tre maggiori lumi della nostra professione':
Homage and Modernity in Perti'sCantate morali e spirituali, op. 1 (1688) -
Carrie Churnside 14. A Microcosm of Italian Cantata Composition in the
1690s: The Seven Settings of A voichel'accendeste by Francesco Maria Paglia
- Rosalind Halton
Carrie Churnside Part I. Historical and Geographical Transitions in German
and English Instrumental Music 1. Duplex Genius: The French and Italian
Musical Styles in the Instrumental Works of Johann Christoph Pez -
Samantha Owens 2. Changing Concepts and Priorities: The German Consort
Suite at the Start of the Eighteenth Century - Michael Robertson 3. French
Dances and the Consort Dances of Matthew Locke and his English
Contemporaries - Andrew Woolley 4. 'Italian sonatas in orchestral garb':
Purcell and the 'reforme of musickal' Italiana' - Alan Howard Part II.
Changing Notational and Performance Practices 5. Key Signatures before
Keys: Conceptualising and Notating Pitch Relations in the Seventeenth
Century - Gregory Barnett 6. Continuity and Change in Continuo Practice:
The Case of Italian Opera - Peter Holman Part III. Two Case Studies in
Mid-Baroque Church Music 7. Musical Transitions at St. Mary's Church in
Lübeck, 1630-1705 - Kerala J. Snyder 8. The Creation of a 'Bolognese
Style': Maurizio Cazzati as the Driving Force Behind Evolving Musical Taste
in Bologna (1657-1671) - Rodolfo Zitellini Part IV. Transition in Italian
Instrumental Music 9. On the Cusps of Stylistic Change: Vivaldi's Sonata RV
820 for Violin, Cello and Continuo and its Seventeenth-Century Roots -
Michael Talbot 10. Naples at a Crossroads: Transformations in Neapolitan
Instrumental Music at the turn of the Seventeenth Century - Guido Olivieri
Part V. Change and Influence in Vocal Music 11. How Italian is the
tragédieen musique of Quinault and Lully? - Michael Klaper 12. Euterpe's
Revenge, or: The Italian Opera Aria c. 1660-1720 - Colin Timms 13. 'Ho
procurato di seguitare ... i tre maggiori lumi della nostra professione':
Homage and Modernity in Perti'sCantate morali e spirituali, op. 1 (1688) -
Carrie Churnside 14. A Microcosm of Italian Cantata Composition in the
1690s: The Seven Settings of A voichel'accendeste by Francesco Maria Paglia
- Rosalind Halton
List of Illustrations Acknowledgements List of Abbreviations Preface -
Carrie Churnside Part I. Historical and Geographical Transitions in German
and English Instrumental Music 1. Duplex Genius: The French and Italian
Musical Styles in the Instrumental Works of Johann Christoph Pez -
Samantha Owens 2. Changing Concepts and Priorities: The German Consort
Suite at the Start of the Eighteenth Century - Michael Robertson 3. French
Dances and the Consort Dances of Matthew Locke and his English
Contemporaries - Andrew Woolley 4. 'Italian sonatas in orchestral garb':
Purcell and the 'reforme of musickal' Italiana' - Alan Howard Part II.
Changing Notational and Performance Practices 5. Key Signatures before
Keys: Conceptualising and Notating Pitch Relations in the Seventeenth
Century - Gregory Barnett 6. Continuity and Change in Continuo Practice:
The Case of Italian Opera - Peter Holman Part III. Two Case Studies in
Mid-Baroque Church Music 7. Musical Transitions at St. Mary's Church in
Lübeck, 1630-1705 - Kerala J. Snyder 8. The Creation of a 'Bolognese
Style': Maurizio Cazzati as the Driving Force Behind Evolving Musical Taste
in Bologna (1657-1671) - Rodolfo Zitellini Part IV. Transition in Italian
Instrumental Music 9. On the Cusps of Stylistic Change: Vivaldi's Sonata RV
820 for Violin, Cello and Continuo and its Seventeenth-Century Roots -
Michael Talbot 10. Naples at a Crossroads: Transformations in Neapolitan
Instrumental Music at the turn of the Seventeenth Century - Guido Olivieri
Part V. Change and Influence in Vocal Music 11. How Italian is the
tragédieen musique of Quinault and Lully? - Michael Klaper 12. Euterpe's
Revenge, or: The Italian Opera Aria c. 1660-1720 - Colin Timms 13. 'Ho
procurato di seguitare ... i tre maggiori lumi della nostra professione':
Homage and Modernity in Perti'sCantate morali e spirituali, op. 1 (1688) -
Carrie Churnside 14. A Microcosm of Italian Cantata Composition in the
1690s: The Seven Settings of A voichel'accendeste by Francesco Maria Paglia
- Rosalind Halton
Carrie Churnside Part I. Historical and Geographical Transitions in German
and English Instrumental Music 1. Duplex Genius: The French and Italian
Musical Styles in the Instrumental Works of Johann Christoph Pez -
Samantha Owens 2. Changing Concepts and Priorities: The German Consort
Suite at the Start of the Eighteenth Century - Michael Robertson 3. French
Dances and the Consort Dances of Matthew Locke and his English
Contemporaries - Andrew Woolley 4. 'Italian sonatas in orchestral garb':
Purcell and the 'reforme of musickal' Italiana' - Alan Howard Part II.
Changing Notational and Performance Practices 5. Key Signatures before
Keys: Conceptualising and Notating Pitch Relations in the Seventeenth
Century - Gregory Barnett 6. Continuity and Change in Continuo Practice:
The Case of Italian Opera - Peter Holman Part III. Two Case Studies in
Mid-Baroque Church Music 7. Musical Transitions at St. Mary's Church in
Lübeck, 1630-1705 - Kerala J. Snyder 8. The Creation of a 'Bolognese
Style': Maurizio Cazzati as the Driving Force Behind Evolving Musical Taste
in Bologna (1657-1671) - Rodolfo Zitellini Part IV. Transition in Italian
Instrumental Music 9. On the Cusps of Stylistic Change: Vivaldi's Sonata RV
820 for Violin, Cello and Continuo and its Seventeenth-Century Roots -
Michael Talbot 10. Naples at a Crossroads: Transformations in Neapolitan
Instrumental Music at the turn of the Seventeenth Century - Guido Olivieri
Part V. Change and Influence in Vocal Music 11. How Italian is the
tragédieen musique of Quinault and Lully? - Michael Klaper 12. Euterpe's
Revenge, or: The Italian Opera Aria c. 1660-1720 - Colin Timms 13. 'Ho
procurato di seguitare ... i tre maggiori lumi della nostra professione':
Homage and Modernity in Perti'sCantate morali e spirituali, op. 1 (1688) -
Carrie Churnside 14. A Microcosm of Italian Cantata Composition in the
1690s: The Seven Settings of A voichel'accendeste by Francesco Maria Paglia
- Rosalind Halton