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This provocative new book applies the perspective of cross-identity performance to the translation of a wide variety of Chinese texts into English and French from the eighteenth to the twentieth centuries. James St. André argues that many cross-identity performance techniques, including blackface, passing, drag, mimicry, and masquerade, provide new insights into the history of translation practice.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.