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Uses a postcolonial critique of the universality of historical time to propose a new way of considering the fantastic in cinema, a prevalent trope in much Asian and Southeast Asian film.

Produktbeschreibung
Uses a postcolonial critique of the universality of historical time to propose a new way of considering the fantastic in cinema, a prevalent trope in much Asian and Southeast Asian film.
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Autorenporträt
Bliss Cua Lim is Associate Professor of Film & Media Studies and Visual Studies at the University of California, Irvine.