Nicole Basaraba (Netherlands Studio Europa Maastricht)
Transmedia Narratives for Cultural Heritage
Remixing History
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Nicole Basaraba (Netherlands Studio Europa Maastricht)
Transmedia Narratives for Cultural Heritage
Remixing History
- Broschiertes Buch
Transmedia Narratives for Cultural Heritage focuses on theoretical approaches to the analysis and creative practice of developing non-fiction digital transmedia narratives in the rapidly growing cultural heritage sector.
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Transmedia Narratives for Cultural Heritage focuses on theoretical approaches to the analysis and creative practice of developing non-fiction digital transmedia narratives in the rapidly growing cultural heritage sector.
Produktdetails
- Produktdetails
- Routledge Advances in Transmedia Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 206
- Erscheinungstermin: 29. Januar 2024
- Englisch
- Abmessung: 232mm x 154mm x 14mm
- Gewicht: 338g
- ISBN-13: 9781032071527
- ISBN-10: 1032071524
- Artikelnr.: 69790289
- Routledge Advances in Transmedia Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 206
- Erscheinungstermin: 29. Januar 2024
- Englisch
- Abmessung: 232mm x 154mm x 14mm
- Gewicht: 338g
- ISBN-13: 9781032071527
- ISBN-10: 1032071524
- Artikelnr.: 69790289
Nicole Basaraba received her PhD from Trinity College Dublin, Ireland with a specialisation in digital media narratives and digital humanities. Her research focuses on evaluating and finding best practices for creating interactive digital narratives in non-fiction genres. She is particularly interested in how participatory digital culture impacts storytelling practices in cultural heritage and tourism contexts, such as in creative and digital place-making. Basaraba also has a Master of Arts in Communications and Technology from the University of Alberta, Canada. She has presented at over 20 conferences worldwide and her work has been published in multiple peer-reviewed journals.
Acronyms
Introduction: Transmedia for Cultural Heritage
PART 1 - GETTING ON THE SAME PAGE
Chapter 1: Digital Narratives Across Disciplines
Chapter 2: Mapping and Analysing Interactive Digital Narrative Genres
PART 2 - THEORETICAL FOUNDATIONS FOR NON-FICTION DIGITAL NARRATIVES
Chapter 3: A Seven-Phase Theoretical Framework for Project Teams
Chapter 4: Remixing Narratives for Cultural Heritage - A Method of Transmedia Invention
PART 3 - CASE STUDIES OF REMIXING CULTURAL HERITAGE IN CREATIVE PRACTICE
Chapter 5: UNESCO World Heritage Australian Convict Sites
Chapter 6: The National Famine Way of Ireland
Conclusion: Final Reflections and the Future of Historical Transmedia Narratives
References
Appendices
Glossary
Introduction: Transmedia for Cultural Heritage
PART 1 - GETTING ON THE SAME PAGE
Chapter 1: Digital Narratives Across Disciplines
Chapter 2: Mapping and Analysing Interactive Digital Narrative Genres
PART 2 - THEORETICAL FOUNDATIONS FOR NON-FICTION DIGITAL NARRATIVES
Chapter 3: A Seven-Phase Theoretical Framework for Project Teams
Chapter 4: Remixing Narratives for Cultural Heritage - A Method of Transmedia Invention
PART 3 - CASE STUDIES OF REMIXING CULTURAL HERITAGE IN CREATIVE PRACTICE
Chapter 5: UNESCO World Heritage Australian Convict Sites
Chapter 6: The National Famine Way of Ireland
Conclusion: Final Reflections and the Future of Historical Transmedia Narratives
References
Appendices
Glossary
Acronyms
Introduction: Transmedia for Cultural Heritage
PART 1 - GETTING ON THE SAME PAGE
Chapter 1: Digital Narratives Across Disciplines
Chapter 2: Mapping and Analysing Interactive Digital Narrative Genres
PART 2 - THEORETICAL FOUNDATIONS FOR NON-FICTION DIGITAL NARRATIVES
Chapter 3: A Seven-Phase Theoretical Framework for Project Teams
Chapter 4: Remixing Narratives for Cultural Heritage - A Method of Transmedia Invention
PART 3 - CASE STUDIES OF REMIXING CULTURAL HERITAGE IN CREATIVE PRACTICE
Chapter 5: UNESCO World Heritage Australian Convict Sites
Chapter 6: The National Famine Way of Ireland
Conclusion: Final Reflections and the Future of Historical Transmedia Narratives
References
Appendices
Glossary
Introduction: Transmedia for Cultural Heritage
PART 1 - GETTING ON THE SAME PAGE
Chapter 1: Digital Narratives Across Disciplines
Chapter 2: Mapping and Analysing Interactive Digital Narrative Genres
PART 2 - THEORETICAL FOUNDATIONS FOR NON-FICTION DIGITAL NARRATIVES
Chapter 3: A Seven-Phase Theoretical Framework for Project Teams
Chapter 4: Remixing Narratives for Cultural Heritage - A Method of Transmedia Invention
PART 3 - CASE STUDIES OF REMIXING CULTURAL HERITAGE IN CREATIVE PRACTICE
Chapter 5: UNESCO World Heritage Australian Convict Sites
Chapter 6: The National Famine Way of Ireland
Conclusion: Final Reflections and the Future of Historical Transmedia Narratives
References
Appendices
Glossary