Jae Emerling is Professor of Art History in the College of Arts + Architecture at the University of North Carolina, Charlotte. He is the author of Theory for Art History and Photography: History and Theory, published by Routledge.
Inhaltsangabe
I. Introduction: "Visions and Auditions" II. Twenty-first Series of Aesthetic History III. Twenty-first Series of Aesthetic History: Hypomnemata IV. Sybil of Cumae, or Indiscernibility V. From Oceanic Chaos...A Luminous Wave VI. Imperceptibility, or The Ear of the Future VII. To Transmit and Receive Vibrations and Waves VIII. Impersonality, or Bob Dylan as a Column of Air
I. Introduction: "Visions and Auditions" II. Twenty-first Series of Aesthetic History III. Twenty-first Series of Aesthetic History: Hypomnemata IV. Sybil of Cumae, or Indiscernibility V. From Oceanic Chaos...A Luminous Wave VI. Imperceptibility, or The Ear of the Future VII. To Transmit and Receive Vibrations and Waves VIII. Impersonality, or Bob Dylan as a Column of Air
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