Transmission in Motion examines a selection of extraordinary dance digitization projects 'from the inside', presenting in-depth analyses by the practitioners, artists and collectives involved in their development. These studies are framed by scholarly reflection, illuminating the significance of these projects in the context of current debates on dance, the (multi-media) archive, immaterial cultural heritage and copyright, embodied cognition, education, media culture and the knowledge society.
Transmission in Motion examines a selection of extraordinary dance digitization projects 'from the inside', presenting in-depth analyses by the practitioners, artists and collectives involved in their development. These studies are framed by scholarly reflection, illuminating the significance of these projects in the context of current debates on dance, the (multi-media) archive, immaterial cultural heritage and copyright, embodied cognition, education, media culture and the knowledge society.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Maaike Bleeker is a professor in the Department of Media and Culture Studies at Utrecht University.
Inhaltsangabe
Introduction Part 1 1. Movements Across Media: Twelve Tools for Transmission. Maaike Bleeker and Scott deLahunta 2. Not Fade Away-Thoughts on Preserving Cunningham's Loops Paul Kaiser 3. Steve Paxton's Material for the Spine: The Experience of a Sensorial Edition Florence Corin 4. William Forsythe's Improvisation Technologies. A Short Design History of Digital Dance Transmission Projects on CD-ROM and DVD-ROM 1994 - 2011 Chris Ziegler 5. A Choreographer's Score: Anna Teresa De Keersmaeker Bojana Cveji¿ 6. Archiving the Dance: Making Siobhan Davies RePlay Sarah Whatley 7. Digital Dance Archives Rachel Fensham 8. The Dance-Tech Project: How Like a Network Marlon Barrios Solano 9. Double Skin/Double Mind: EG PC's Interactive Installation Bertha Bermúdez Pascual 10. What Else Might this Dance Look Like? Synchronous Objects Norah Zuniga Shaw 11. Wayne McGregor's Choreographic Language Agent Scott deLahunta 12. BADco. and Daniel Turing: Whatever Dance Toolbox Nikolina Prista, Goran Sergej Prista and Tomislav Medak 13. Motion Bank: a Broad Context for Choreographic Research Scott deLahunta Part 2 14. Making Knowledge from Movement. Some Notes on the Contextual Impetus to Transmit Knowledge from Dance James Leach 15. Dancing in Digital Archives: Circulation, Pedagogy, Performance Harmony Bench 16. Digital Dance: The Challenges for Traditional Copyright Law Charlotte Waelde & Sarah Whatley 17. Between Grammatization and Live Movement Sampling Sally Jane Norman 18. What if this Were an Archive? Abstraction, Enactment, and Human Implicatedness Maaike Bleeker 19. Indeterminate Acts: Technology, Choreography and Bodily Affects Chris Salter 20. Newman's Note, Entanglement, and the Demands of Choreography: Letter to a Choreographer Alva Noë
Introduction Part 1 1. Movements Across Media: Twelve Tools for Transmission. Maaike Bleeker and Scott deLahunta 2. Not Fade Away-Thoughts on Preserving Cunningham's Loops Paul Kaiser 3. Steve Paxton's Material for the Spine: The Experience of a Sensorial Edition Florence Corin 4. William Forsythe's Improvisation Technologies. A Short Design History of Digital Dance Transmission Projects on CD-ROM and DVD-ROM 1994 - 2011 Chris Ziegler 5. A Choreographer's Score: Anna Teresa De Keersmaeker Bojana Cveji¿ 6. Archiving the Dance: Making Siobhan Davies RePlay Sarah Whatley 7. Digital Dance Archives Rachel Fensham 8. The Dance-Tech Project: How Like a Network Marlon Barrios Solano 9. Double Skin/Double Mind: EG PC's Interactive Installation Bertha Bermúdez Pascual 10. What Else Might this Dance Look Like? Synchronous Objects Norah Zuniga Shaw 11. Wayne McGregor's Choreographic Language Agent Scott deLahunta 12. BADco. and Daniel Turing: Whatever Dance Toolbox Nikolina Prista, Goran Sergej Prista and Tomislav Medak 13. Motion Bank: a Broad Context for Choreographic Research Scott deLahunta Part 2 14. Making Knowledge from Movement. Some Notes on the Contextual Impetus to Transmit Knowledge from Dance James Leach 15. Dancing in Digital Archives: Circulation, Pedagogy, Performance Harmony Bench 16. Digital Dance: The Challenges for Traditional Copyright Law Charlotte Waelde & Sarah Whatley 17. Between Grammatization and Live Movement Sampling Sally Jane Norman 18. What if this Were an Archive? Abstraction, Enactment, and Human Implicatedness Maaike Bleeker 19. Indeterminate Acts: Technology, Choreography and Bodily Affects Chris Salter 20. Newman's Note, Entanglement, and the Demands of Choreography: Letter to a Choreographer Alva Noë
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