This collection explores how the role of cinematography will evolve in an ever-increasing digitized industry in a transnational context. Contributors aim to bridge conversations about critical film studies and technical film practices while proposing that cinema has always been at the foreground of transnational culture.
This collection explores how the role of cinematography will evolve in an ever-increasing digitized industry in a transnational context. Contributors aim to bridge conversations about critical film studies and technical film practices while proposing that cinema has always been at the foreground of transnational culture.
Edited by Lindsay Coleman; Daisuke Miyao and Roberto Schaefer - Preface by Roberto Schaefer - Contributions by Lindsay Coleman; Ceri Higgins; Patrick Keating; Evan Lieberman; Daisuke Miyao; Jakob Isak Nielsen; Peter H. Rist; Carlos Rojas and Julie Turnock
Inhaltsangabe
Preface by Roberto Schaefer Introduction by Daisuke Miyao Chapter 1: Leviathan, by Lindsay Coleman Chapter 2: Five Functions of Camera Movement in Narrative Cinema, by Jakob Isak Nielsen Chapter 3: À Travers: The Cinematography of Depth in Japan, by Daisuke Miyao Chapter 4: The Eyes of the World: Christopher Doyle, Anthony Dod Mantle, Roger Deakins and the Emergence of a Transnational Cinematic Language, by Evan Lieberman Chapter 5: What Does it Mean to Say that Cinematography is Like Painting with Light?, by Patrick Keating Chapter 6: Hou Hsiao-hsien and Mark Lee Ping-bing: A Taiwanese Creative Team, by Peter H. Rist Chapter 7: The Making of Hong Kong: The Texture of Cinema, by Carlos Rojas Chapter 8: The Transnational Gothic Visions of Luis Buñuel and Gabriel Figueroa, by Ceri Higgins Chapter 9: Gravity and the 'Lighting Designer' Controversy: Cinematographers, Special Visual Effects Artists and the Rhetoric of Digital Convergence, by Julie Turnock About the Editors and Contributors
Preface by Roberto Schaefer Introduction by Daisuke Miyao Chapter 1: Leviathan, by Lindsay Coleman Chapter 2: Five Functions of Camera Movement in Narrative Cinema, by Jakob Isak Nielsen Chapter 3: À Travers: The Cinematography of Depth in Japan, by Daisuke Miyao Chapter 4: The Eyes of the World: Christopher Doyle, Anthony Dod Mantle, Roger Deakins and the Emergence of a Transnational Cinematic Language, by Evan Lieberman Chapter 5: What Does it Mean to Say that Cinematography is Like Painting with Light?, by Patrick Keating Chapter 6: Hou Hsiao-hsien and Mark Lee Ping-bing: A Taiwanese Creative Team, by Peter H. Rist Chapter 7: The Making of Hong Kong: The Texture of Cinema, by Carlos Rojas Chapter 8: The Transnational Gothic Visions of Luis Buñuel and Gabriel Figueroa, by Ceri Higgins Chapter 9: Gravity and the 'Lighting Designer' Controversy: Cinematographers, Special Visual Effects Artists and the Rhetoric of Digital Convergence, by Julie Turnock About the Editors and Contributors
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