Posits a new, aesthetically and politically radical, transnational German cinema - "transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization.
Posits a new, aesthetically and politically radical, transnational German cinema - "transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments Introduction - Claudia Breger and Olivia Landry Part I. Radical Pessimism as a Form of Resistance: Political Drama in the Age of Surplus Humanity and New Fascism 1. Transit (2018) and Postfascism - Angelos Koutsourakis 2. "Her mit dem schönen Leben": Happiness and Access in Berlin Alexanderplatz (2020) - Priscilla Layne 3. Negative Futurability and the Politics of Pessimism in Fatih Ak¿n's Aus dem Nichts (2017) - Gozde Naiboglu Part II. Rethinking the Evidence: New Documentary Forms 4. Forensic Fallacies - Lutz Koepnick 5. The Border as Abjecting Apparatus: Shipwreck at the Threshold of Europe, Lesvos, Aegean Sea (2020) and Purple Sea (2019) - Randall Halle 6. The Politics of the Machinic Voice in Gerd Kroske's Documentary SPK Komplex (2018) - Olivia Landry Part III. Reassembling the Archives of Radical Filmmaking 7. Marking Time after Utopia - Richard Langston 8. Remediations of Cinefeminism in Contemporary German Film - Hester Baer 9. A Few Takes toward Reassembling (the Dream of) the People: Julian Radlmaier's Selbstkritik eines bürgerlichen Hundes (2017) - Claudia Breger Part IV. Intimate Connections: Aesthetics and Politics of a Cinema of Relations 10. Choric Configurations and the Collective: Ruth Beckermann's Films - Fatima Naqvi 11. Aerial Aesthetics, Queer Intimacy, and the Politics of Repose in the Cinema of Nils Bökamp and Monika Treut - Ervin Malakaj 12. Between Observational Detachment and Affective Attachment: The Posthumanist Pedagogy of Herr Bachmann und seine Klasse (2021) - Angelica Fenner Notes on the Contributors Index
Acknowledgments Introduction - Claudia Breger and Olivia Landry Part I. Radical Pessimism as a Form of Resistance: Political Drama in the Age of Surplus Humanity and New Fascism 1. Transit (2018) and Postfascism - Angelos Koutsourakis 2. "Her mit dem schönen Leben": Happiness and Access in Berlin Alexanderplatz (2020) - Priscilla Layne 3. Negative Futurability and the Politics of Pessimism in Fatih Ak¿n's Aus dem Nichts (2017) - Gozde Naiboglu Part II. Rethinking the Evidence: New Documentary Forms 4. Forensic Fallacies - Lutz Koepnick 5. The Border as Abjecting Apparatus: Shipwreck at the Threshold of Europe, Lesvos, Aegean Sea (2020) and Purple Sea (2019) - Randall Halle 6. The Politics of the Machinic Voice in Gerd Kroske's Documentary SPK Komplex (2018) - Olivia Landry Part III. Reassembling the Archives of Radical Filmmaking 7. Marking Time after Utopia - Richard Langston 8. Remediations of Cinefeminism in Contemporary German Film - Hester Baer 9. A Few Takes toward Reassembling (the Dream of) the People: Julian Radlmaier's Selbstkritik eines bürgerlichen Hundes (2017) - Claudia Breger Part IV. Intimate Connections: Aesthetics and Politics of a Cinema of Relations 10. Choric Configurations and the Collective: Ruth Beckermann's Films - Fatima Naqvi 11. Aerial Aesthetics, Queer Intimacy, and the Politics of Repose in the Cinema of Nils Bökamp and Monika Treut - Ervin Malakaj 12. Between Observational Detachment and Affective Attachment: The Posthumanist Pedagogy of Herr Bachmann und seine Klasse (2021) - Angelica Fenner Notes on the Contributors Index
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