Presenting a variety of approaches to late eighteenth-and nineteenth-century Gothic literature, this collection provides a transnational view of the emergence and flowering of the Gothic. Its focus on British, American, Continental, Caribbean and Asian literature deepens our understanding of the Gothic as not merely a national but a global aesthetic.
Presenting a variety of approaches to late eighteenth-and nineteenth-century Gothic literature, this collection provides a transnational view of the emergence and flowering of the Gothic. Its focus on British, American, Continental, Caribbean and Asian literature deepens our understanding of the Gothic as not merely a national but a global aesthetic.
Monika Elbert is Professor of English and University Distinguished Scholar at Montclair State University and serves as editor of the Nathaniel Hawthorne Review. Bridget M. Marshall is Associate Professor of English at the University of Massachusetts, Lowell and the author of The Transatlantic Gothic Novel and the Law, 1790 - 1860.
Inhaltsangabe
Contents: Introduction, Bridget M. Marshall and Monika Elbert; Part 1 Old World Gothic and the New World Frontier: A transnational perspective on American Gothic criticism, Siân Silyn Roberts; The transatlantic Gothic of Isaac Mitchell's Alonzo and Melissa as an early example of popular culture, Christian Knirsch; The old Gothic and the new: the Trollopes' wild West, Tamara Wagner; Frontier bloodlust in England: American captivity narratives and Stoker's Dracula, Roland Finger. Part 2 Gothic Catholicism: Demonizing the Catholic other: religion and the secularization process in Gothic literature, Diane Long Hoeveler; A woman with a cross: the transgressive, transnational nun in anti-Catholic fiction, Nancy F. Sweet; The paradox of Catholicism in New England women's Gothic, Monika Elbert. Part 3 Anglo-American Genre Exchanges: Beyond the Novel: The haunted transatlantic libertine: Edmund Kean's American tour, Melissa Wehler; Gothic prosody: monkish perversity and the poetics of weird form, Daniel Robinson; Transnational war Gothic from the American Civil War to World War I, Agnieszka Soltysik Monnet. Part 4 Social Anxieties and Hauntings: 'At rest now': child ghosts and social justice in 19th-century women's writing, Roxanne Harde; All this difficult darkness: lynching and the exorcism of the Black other in Theodore Dreiser's 'Nigger Jeff', Keith B. Mitchell; 'Duppy know who fi frighten': laying ghosts in Jamaican fiction, Candace Ward; Stranger fiction: the Asian ghost tales of Rudyard Kipling and Lafcadio Hearn, Mary Goodwin; Index.
Contents: Introduction, Bridget M. Marshall and Monika Elbert; Part 1 Old World Gothic and the New World Frontier: A transnational perspective on American Gothic criticism, Siân Silyn Roberts; The transatlantic Gothic of Isaac Mitchell's Alonzo and Melissa as an early example of popular culture, Christian Knirsch; The old Gothic and the new: the Trollopes' wild West, Tamara Wagner; Frontier bloodlust in England: American captivity narratives and Stoker's Dracula, Roland Finger. Part 2 Gothic Catholicism: Demonizing the Catholic other: religion and the secularization process in Gothic literature, Diane Long Hoeveler; A woman with a cross: the transgressive, transnational nun in anti-Catholic fiction, Nancy F. Sweet; The paradox of Catholicism in New England women's Gothic, Monika Elbert. Part 3 Anglo-American Genre Exchanges: Beyond the Novel: The haunted transatlantic libertine: Edmund Kean's American tour, Melissa Wehler; Gothic prosody: monkish perversity and the poetics of weird form, Daniel Robinson; Transnational war Gothic from the American Civil War to World War I, Agnieszka Soltysik Monnet. Part 4 Social Anxieties and Hauntings: 'At rest now': child ghosts and social justice in 19th-century women's writing, Roxanne Harde; All this difficult darkness: lynching and the exorcism of the Black other in Theodore Dreiser's 'Nigger Jeff', Keith B. Mitchell; 'Duppy know who fi frighten': laying ghosts in Jamaican fiction, Candace Ward; Stranger fiction: the Asian ghost tales of Rudyard Kipling and Lafcadio Hearn, Mary Goodwin; Index.
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