This volume assembles an international team of scholars to provide a dynamic investigation of the current phenomenon of transnational television remakes. Adopting three points of focalisation ¿ genres, politics and cultural value ¿ the volume presents vibrant case studies of contemporary television series, including Broen/Bron/The Bridge, Homeland/Prisoners of War, Forbrydelsen/The Killing, Be¿Tipul/In Treatment, and The Office/Stromberg. This book was originally published as a special issue of Continuum.
This volume assembles an international team of scholars to provide a dynamic investigation of the current phenomenon of transnational television remakes. Adopting three points of focalisation ¿ genres, politics and cultural value ¿ the volume presents vibrant case studies of contemporary television series, including Broen/Bron/The Bridge, Homeland/Prisoners of War, Forbrydelsen/The Killing, Be¿Tipul/In Treatment, and The Office/Stromberg. This book was originally published as a special issue of Continuum.
Claire Perkins is Lecturer in Film and Screen Studies at Monash University, Melbourne, Australia. She is author of American Smart Cinema (2012) and co-editor of the forthcoming Indie Reframed: Women Filmmakers and Contemporary American Independent Cinema. Constantine Verevis is Associate Professor in Film and Screen Studies at Monash University, Melbourne, Australia. He is author of Film Remakes (2006) and co-editor of the forthcoming Transnational Film Remakes.
Inhaltsangabe
Introduction: Transnational television remakes Claire Perkins and Constantine Verevis Part I: Genres 1. Television format traffic-public service style Albert Moran 2. From The Office to Stromberg: adaptation strategies in German television Lothar Mikos 3. Trafficking in TV crime: remaking Broadchurch Sue Turnbull Part II: Politics 4. Remapping socio-cultural specificity in the American remake of The Bridge Jennifer Forrest and Sergio Martínez 5. Between Homeland and Prisoners of War: remaking terror A nat Zanger 6. The show that refused to die: the rise and fall of AMC s The Killing Kim Akass Part III: Value 7. Appreciating Wallander at the BBC: producing culture and perfoming the glocal in the UK and Swedish Wallanders for British public service television Janet McCabe 8. `Whose side are you? The Slap (2011/2015) Constantine Verevis 9. Translating the television `treatment genre: Be Tipul and In Treatment Claire Perkins
Introduction: Transnational television remakes Claire Perkins and Constantine Verevis Part I: Genres 1. Television format traffic-public service style Albert Moran 2. From The Office to Stromberg: adaptation strategies in German television Lothar Mikos 3. Trafficking in TV crime: remaking Broadchurch Sue Turnbull Part II: Politics 4. Remapping socio-cultural specificity in the American remake of The Bridge Jennifer Forrest and Sergio Martínez 5. Between Homeland and Prisoners of War: remaking terror A nat Zanger 6. The show that refused to die: the rise and fall of AMC s The Killing Kim Akass Part III: Value 7. Appreciating Wallander at the BBC: producing culture and perfoming the glocal in the UK and Swedish Wallanders for British public service television Janet McCabe 8. `Whose side are you? The Slap (2011/2015) Constantine Verevis 9. Translating the television `treatment genre: Be Tipul and In Treatment Claire Perkins
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