Trash or treasure is a wide-ranging historical study of the British circulation of the video nasties - A term that was originally coined to ban a group of horror videos in Britain in the 1980s but which continues to have cultural resonance in Britain up to the present day.
Trash or treasure is a wide-ranging historical study of the British circulation of the video nasties - A term that was originally coined to ban a group of horror videos in Britain in the 1980s but which continues to have cultural resonance in Britain up to the present day.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kate Egan is Lecturer in Film Studies in Aberstwyth University
Inhaltsangabe
Introduction: the video nasties and the consequences of censorship. Producing the nasties 1. The British art of policing cultural boundaries: the legacy of British horror film reviewing 2. Reconsidering 'the plague years': the marketing of the video nasties 3. A 'real horror show': the video nasty press campaign. Cults, collectors and cultural memory 4. Mapping out the territory of a fan culture: video nasties and the British horror magazine 5. Facts, lists and memories: 'masculine' identities and video nasty websites 6. The celebration of a 'proper product': exploring video collecting through the video nasties Re-releases and re-evaluations 7. Previously banned: remarketing the nasties as retro products 8. Low or high? Film Four, film festivals and the nasties Conclusion: the nasties, British film culture and cross-cultural reception
Introduction: the video nasties and the consequences of censorship. Producing the nasties 1. The British art of policing cultural boundaries: the legacy of British horror film reviewing 2. Reconsidering 'the plague years': the marketing of the video nasties 3. A 'real horror show': the video nasty press campaign. Cults, collectors and cultural memory 4. Mapping out the territory of a fan culture: video nasties and the British horror magazine 5. Facts, lists and memories: 'masculine' identities and video nasty websites 6. The celebration of a 'proper product': exploring video collecting through the video nasties Re-releases and re-evaluations 7. Previously banned: remarketing the nasties as retro products 8. Low or high? Film Four, film festivals and the nasties Conclusion: the nasties, British film culture and cross-cultural reception
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