Trauma and Embodied Healing in Dramatherapy, Theatre and Performance
Herausgeber: Jacques, J F
Trauma and Embodied Healing in Dramatherapy, Theatre and Performance
Herausgeber: Jacques, J F
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This edited volume explores the singularity of embodiment and somatic approaches in the healing of trauma from a dramatherapy, theatre and performance perspective.
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This edited volume explores the singularity of embodiment and somatic approaches in the healing of trauma from a dramatherapy, theatre and performance perspective.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 258
- Erscheinungstermin: 11. März 2024
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 576g
- ISBN-13: 9781032344836
- ISBN-10: 1032344830
- Artikelnr.: 69482975
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis
- Seitenzahl: 258
- Erscheinungstermin: 11. März 2024
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 576g
- ISBN-13: 9781032344836
- ISBN-10: 1032344830
- Artikelnr.: 69482975
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Jean-François (J. F.) Jacques, PhD, HCPC, is an independent dramatherapist, somatic practitioner, clinical supervisor, educator, researcher, artist and author with more than 20 years of experience in private practice, and in the statutory and voluntary services in the UK.
Foreword by Cathy Malchiodi Introduction: Interdisciplinary Perspectives on
Trauma and the Body Part 1: Theoretical Perspectives Chapter 1: The
Imagined Body: Drama Therapy's Unique Contribution to Trauma Treatment
Chapter 2: The Emotional Body: A Somatic and Trauma-Informed Practice for
Cultivating Expressive Capabilities for the Actor and the Individual
Chapter 3: Playful and Poetic Embodiment for Indirect Processing of Trauma
Using Masks: A Drama Therapy Framework Inspired by Lecoq's Physical Theatre
Pedagogy Chapter 4: Engaging the Body from a Distance: Online Dramatherapy
with Traumatised Children Chapter 5: Therapy of Gesture: Integrating
Psychophysical Approaches from Theatre and Therapy in the Healing of Trauma
Chapter 6: Playing in multifaceted trauma: reflections on embodied drama
therapy in South Africa Chapter 7: Integrating Dramatherapy with the
NeuroAffective Relational Model(TM) (NARM) for Healing Developmental Trauma
Part 2: Intersection Chapter 8: In the Shadow of Oppression: Nora Amin's
Theatre of Crime Part 3: Practice and Research Perspectives Chapter 9: The
Girl at Snow Cottage: An Embodied Experience of Making Theatre in
Individual Dramatherapy with an Adopted Child Chapter 10: Gesture in Actor
Training and with Survivors of BPD Diagnosis: Finding Communication Towards
Relational Thirdness Chapter 11: Hands: Their Rhythms, Gestures and the
Portal They Offer in Therapy Chapter 12: The Voice and Anger: Experiences
of Healing Through Performance Chapter 13: Embodied Theatre Practice
Towards the Creation of New Meaning Chapter 14: The Harmless Ghost: A
Mythopoetic Approach to Trauma Chapter 15: Healing the Intergenerational
Trauma of Enslavement: The Enactment of Historical Documents with
Afro-Colombian Youth
Trauma and the Body Part 1: Theoretical Perspectives Chapter 1: The
Imagined Body: Drama Therapy's Unique Contribution to Trauma Treatment
Chapter 2: The Emotional Body: A Somatic and Trauma-Informed Practice for
Cultivating Expressive Capabilities for the Actor and the Individual
Chapter 3: Playful and Poetic Embodiment for Indirect Processing of Trauma
Using Masks: A Drama Therapy Framework Inspired by Lecoq's Physical Theatre
Pedagogy Chapter 4: Engaging the Body from a Distance: Online Dramatherapy
with Traumatised Children Chapter 5: Therapy of Gesture: Integrating
Psychophysical Approaches from Theatre and Therapy in the Healing of Trauma
Chapter 6: Playing in multifaceted trauma: reflections on embodied drama
therapy in South Africa Chapter 7: Integrating Dramatherapy with the
NeuroAffective Relational Model(TM) (NARM) for Healing Developmental Trauma
Part 2: Intersection Chapter 8: In the Shadow of Oppression: Nora Amin's
Theatre of Crime Part 3: Practice and Research Perspectives Chapter 9: The
Girl at Snow Cottage: An Embodied Experience of Making Theatre in
Individual Dramatherapy with an Adopted Child Chapter 10: Gesture in Actor
Training and with Survivors of BPD Diagnosis: Finding Communication Towards
Relational Thirdness Chapter 11: Hands: Their Rhythms, Gestures and the
Portal They Offer in Therapy Chapter 12: The Voice and Anger: Experiences
of Healing Through Performance Chapter 13: Embodied Theatre Practice
Towards the Creation of New Meaning Chapter 14: The Harmless Ghost: A
Mythopoetic Approach to Trauma Chapter 15: Healing the Intergenerational
Trauma of Enslavement: The Enactment of Historical Documents with
Afro-Colombian Youth
Foreword by Cathy Malchiodi Introduction: Interdisciplinary Perspectives on
Trauma and the Body Part 1: Theoretical Perspectives Chapter 1: The
Imagined Body: Drama Therapy's Unique Contribution to Trauma Treatment
Chapter 2: The Emotional Body: A Somatic and Trauma-Informed Practice for
Cultivating Expressive Capabilities for the Actor and the Individual
Chapter 3: Playful and Poetic Embodiment for Indirect Processing of Trauma
Using Masks: A Drama Therapy Framework Inspired by Lecoq's Physical Theatre
Pedagogy Chapter 4: Engaging the Body from a Distance: Online Dramatherapy
with Traumatised Children Chapter 5: Therapy of Gesture: Integrating
Psychophysical Approaches from Theatre and Therapy in the Healing of Trauma
Chapter 6: Playing in multifaceted trauma: reflections on embodied drama
therapy in South Africa Chapter 7: Integrating Dramatherapy with the
NeuroAffective Relational Model(TM) (NARM) for Healing Developmental Trauma
Part 2: Intersection Chapter 8: In the Shadow of Oppression: Nora Amin's
Theatre of Crime Part 3: Practice and Research Perspectives Chapter 9: The
Girl at Snow Cottage: An Embodied Experience of Making Theatre in
Individual Dramatherapy with an Adopted Child Chapter 10: Gesture in Actor
Training and with Survivors of BPD Diagnosis: Finding Communication Towards
Relational Thirdness Chapter 11: Hands: Their Rhythms, Gestures and the
Portal They Offer in Therapy Chapter 12: The Voice and Anger: Experiences
of Healing Through Performance Chapter 13: Embodied Theatre Practice
Towards the Creation of New Meaning Chapter 14: The Harmless Ghost: A
Mythopoetic Approach to Trauma Chapter 15: Healing the Intergenerational
Trauma of Enslavement: The Enactment of Historical Documents with
Afro-Colombian Youth
Trauma and the Body Part 1: Theoretical Perspectives Chapter 1: The
Imagined Body: Drama Therapy's Unique Contribution to Trauma Treatment
Chapter 2: The Emotional Body: A Somatic and Trauma-Informed Practice for
Cultivating Expressive Capabilities for the Actor and the Individual
Chapter 3: Playful and Poetic Embodiment for Indirect Processing of Trauma
Using Masks: A Drama Therapy Framework Inspired by Lecoq's Physical Theatre
Pedagogy Chapter 4: Engaging the Body from a Distance: Online Dramatherapy
with Traumatised Children Chapter 5: Therapy of Gesture: Integrating
Psychophysical Approaches from Theatre and Therapy in the Healing of Trauma
Chapter 6: Playing in multifaceted trauma: reflections on embodied drama
therapy in South Africa Chapter 7: Integrating Dramatherapy with the
NeuroAffective Relational Model(TM) (NARM) for Healing Developmental Trauma
Part 2: Intersection Chapter 8: In the Shadow of Oppression: Nora Amin's
Theatre of Crime Part 3: Practice and Research Perspectives Chapter 9: The
Girl at Snow Cottage: An Embodied Experience of Making Theatre in
Individual Dramatherapy with an Adopted Child Chapter 10: Gesture in Actor
Training and with Survivors of BPD Diagnosis: Finding Communication Towards
Relational Thirdness Chapter 11: Hands: Their Rhythms, Gestures and the
Portal They Offer in Therapy Chapter 12: The Voice and Anger: Experiences
of Healing Through Performance Chapter 13: Embodied Theatre Practice
Towards the Creation of New Meaning Chapter 14: The Harmless Ghost: A
Mythopoetic Approach to Trauma Chapter 15: Healing the Intergenerational
Trauma of Enslavement: The Enactment of Historical Documents with
Afro-Colombian Youth