Treading the bawds breaks the traditional boundaries that have separated the histories of the first actresses and the early female playwright. This is a story of collaboration and influence, played out on the seventeenth-century London stage as women's words and women's bodies come together for the first time.
Treading the bawds breaks the traditional boundaries that have separated the histories of the first actresses and the early female playwright. This is a story of collaboration and influence, played out on the seventeenth-century London stage as women's words and women's bodies come together for the first time.
Gilli Bush-Bailey is Lecturer in the Department of Drama and Theatre at Royal Holloway, University of London
Inhaltsangabe
Introduction Acknowledgements Part One: Background 1. In the company of women 2. United we stand 3. Control and influence on the Late Stuart Stage Part Two: The Players' Company at Lincoln's Inn Fields 4. New moves, new voices 5. Competition and criticism 6. Re-forming the stage 7. Old stories, new histories 8. Certainly not a conclusion Bibliography
Introduction Acknowledgements Part One: Background 1. In the company of women 2. United we stand 3. Control and influence on the Late Stuart Stage Part Two: The Players' Company at Lincoln's Inn Fields 4. New moves, new voices 5. Competition and criticism 6. Re-forming the stage 7. Old stories, new histories 8. Certainly not a conclusion Bibliography
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