This volume brings together a group of analytical essays exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research.
This volume brings together a group of analytical essays exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lawrence Beaumont Shuster is Lecturer in Music Theory at Cornell University. Somangshu Mukherji is Assistant Professor of Music Theory at the University of Michigan. Noé Dinnerstein is Adjunct Assistant Professor at John Jay College of Criminal Justice, City University of New York.
Inhaltsangabe
Introduction 1. Phenomenology of Segah Mugham Creativity on the Tar 2. Rhythm, Form, and Performance in Ladakhi Traditional Songs 3. Moving to the Music: Quantity of Motion as a Tool to Study North Indian Raga Performance 4. From Dusk till Dawn: Analysis of Cretan Music Festivities 5. The Continua of Sound Qualities for Tanya Tagaq's Katajjaq Sounds 6. Representing and Experiencing Rhythm in Drumming from Santiago de Cuba 7. Tapping to Recordings of Bulgarian Music: A Cross-Cultural Study of Meter and Tempo 8. Tempo, Meter, and Form: An Analysis of "Dansa" from Mali 9. Mapping Timbral Surfaces in Alpine Yodeling: New Directions in the Analysis of Tone Color for Unaccompanied Vocal Music 10. Creative Processes in Improvising Jíbaro Décima 11. "Da mihi manum": An Irish Arcanum 12. Toward a Theory of ¿ka: The Rhythmic Identity of Melody in Late Eighteenth-Century Turkish Art Music 13. Applying the Generative Theory of Tonal Music to World Music Idioms: An Analytical Approach to the Polyphonic Singing of Epirus 14. Language Models and World Music Analysis
Introduction 1. Phenomenology of Segah Mugham Creativity on the Tar 2. Rhythm, Form, and Performance in Ladakhi Traditional Songs 3. Moving to the Music: Quantity of Motion as a Tool to Study North Indian Raga Performance 4. From Dusk till Dawn: Analysis of Cretan Music Festivities 5. The Continua of Sound Qualities for Tanya Tagaq's Katajjaq Sounds 6. Representing and Experiencing Rhythm in Drumming from Santiago de Cuba 7. Tapping to Recordings of Bulgarian Music: A Cross-Cultural Study of Meter and Tempo 8. Tempo, Meter, and Form: An Analysis of "Dansa" from Mali 9. Mapping Timbral Surfaces in Alpine Yodeling: New Directions in the Analysis of Tone Color for Unaccompanied Vocal Music 10. Creative Processes in Improvising Jíbaro Décima 11. "Da mihi manum": An Irish Arcanum 12. Toward a Theory of ¿ka: The Rhythmic Identity of Melody in Late Eighteenth-Century Turkish Art Music 13. Applying the Generative Theory of Tonal Music to World Music Idioms: An Analytical Approach to the Polyphonic Singing of Epirus 14. Language Models and World Music Analysis
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