In his outstanding career, Trevor Griffiths has negotiated the issues of genre, politics, identity, class, history, memory and televisual form with a sustained creativity and integrity second to none.
In his outstanding career, Trevor Griffiths has negotiated the issues of genre, politics, identity, class, history, memory and televisual form with a sustained creativity and integrity second to none.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
John Tulloch is Professor of Media and Communication, University of Newcastle, Australia.
Inhaltsangabe
Introduction 1. Trevor Griffiths and cultural studies: from New Left to Derrida, The Party to Oi for England and Food for Ravens 2. Between television and theory industries: from Occupations and Through the Night to Sons and Lovers and The Gulf Between Us 3. In the studio: making and receiving Trevor Griffiths' The Cherry Orchard 4. Griffiths reviewed: the print media and The Cherry Orchard, Through the Night, Bill Brand and Country 5. Griffiths' key 'political' texts: Country and Food for Ravens 6. Trevor Griffiths' television 'histories': The Last Place on Earth and Hope in the Year Two 7. Relishing conflict in an audience: Trevor Griffiths' Comedians 8. Griffiths unplugged: Such Impossibilities and March Time
Introduction 1. Trevor Griffiths and cultural studies: from New Left to Derrida, The Party to Oi for England and Food for Ravens 2. Between television and theory industries: from Occupations and Through the Night to Sons and Lovers and The Gulf Between Us 3. In the studio: making and receiving Trevor Griffiths' The Cherry Orchard 4. Griffiths reviewed: the print media and The Cherry Orchard, Through the Night, Bill Brand and Country 5. Griffiths' key 'political' texts: Country and Food for Ravens 6. Trevor Griffiths' television 'histories': The Last Place on Earth and Hope in the Year Two 7. Relishing conflict in an audience: Trevor Griffiths' Comedians 8. Griffiths unplugged: Such Impossibilities and March Time
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