Triangulated Visions
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This book illuminates some of the challenges feminist German filmmakers face and offers original insights into their filmmaking practices. It considers the intersections of race, ethnicity, gender, class, and sexuality as these are cinematically represented, and discusses narrative, documentary, "art", and essay films from both West and East Germany before and after unification. Several essays treat films by well-known filmmakers, including R.W. Fassbinder, Jutta Bruckner, Ulrike Ottinger, Helke Sander, Helma Sanders-Brahms, Monika Treut, and Wim Wenders in ways that challenge the limits of…mehr

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Produktbeschreibung
This book illuminates some of the challenges feminist German filmmakers face and offers original insights into their filmmaking practices. It considers the intersections of race, ethnicity, gender, class, and sexuality as these are cinematically represented, and discusses narrative, documentary, "art", and essay films from both West and East Germany before and after unification. Several essays treat films by well-known filmmakers, including R.W. Fassbinder, Jutta Bruckner, Ulrike Ottinger, Helke Sander, Helma Sanders-Brahms, Monika Treut, and Wim Wenders in ways that challenge the limits of major critical approaches in feminist film criticism today. Importantly, Triangulated Visions also offers suggestive and original analyses of works by filmmakers who, until now, have not received much scholarly treatment.
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Autorenporträt
Ingeborg Majer O'Sickey is Assistant Professor at the State University of New York at Binghamton. Ingeborg von Zadow is a playwright and lives in Heidelberg, Germany. Among her works currently performed on stage are Pompinien and Ich und du.