This is a study of the 19th-century French poet, Tristan Corbière. Using close textual readings from Les Amours jaunes, the only collection published in Corbière's lifetime, it examines his self-contradictory style. Corbière's use of irony is shown to be a means of exploring the doubts of modern man and the spiritual void of commodity culture.
This is a study of the 19th-century French poet, Tristan Corbière. Using close textual readings from Les Amours jaunes, the only collection published in Corbière's lifetime, it examines his self-contradictory style. Corbière's use of irony is shown to be a means of exploring the doubts of modern man and the spiritual void of commodity culture.
Katherine Lunn-Rockliffe was Fulford Junior Research Fellow at St Anne's College, Oxford. In 2004 she was awarded a British Academy Postdoctoral Research Fellowship and in 2005 elected to a Tutorial Fellowship at Hertford College, Oxford, and a Faculty Lecturership in French.
Inhaltsangabe
Introduction 1: Voice-defying lyricism 2: Describing Brittany: multiple perspectives 3: Portraits of the artist: ironizing irony 4: 'Thought-feeling': the language of sensation 5: 'Rondels pour après': circular suggestion Conclusion Appendix: transcription of an early draft of 'Veder Napoli poi mori'
Introduction 1: Voice-defying lyricism 2: Describing Brittany: multiple perspectives 3: Portraits of the artist: ironizing irony 4: 'Thought-feeling': the language of sensation 5: 'Rondels pour après': circular suggestion Conclusion Appendix: transcription of an early draft of 'Veder Napoli poi mori'
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