Triumph Over Containment offers an uncompromising look at some of the greatest films and directors of the 1950s, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. It scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture.
Triumph Over Containment offers an uncompromising look at some of the greatest films and directors of the 1950s, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. It scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
ROBERT P. KOLKER is a professor emeritus at the University of Maryland in College Park. He is author of numerous books, including The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema (Rutgers University Press), A Cinema of Loneliness, Film, Form, and Culture, and, with Nathan Abrams, Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. He is currently at work on a biography of Stanley Kubrick with Nathan Abrams.
Inhaltsangabe
Introduction 1 On Containment, Screen Size, and the Lightness and the Dark 2 "It Was Like Going Down to the Bottom of the World": John Garfield and Enterprise 3 "I'm a Stranger Here Myself": Nicholas Ray and Ida Lupino 4 "Love, Hate, Action, Violence, and Death . . . in One Word: Emotion": Joseph Losey and Samuel Fuller 5 "Put an Amen to It": The Old Masters-Welles, Hitchcock, Ford 6 Looking to the Skies: Science Fiction in the 1950s 7 "How Can You Say You Love Me . . . ?": Melodrama Conclusion: "Complete Total Final Annihilating Artistic Control"-Stanley Kubrick Explodes Containment Acknowledgments Notes Selected Bibliography Index
Introduction 1 On Containment, Screen Size, and the Lightness and the Dark 2 "It Was Like Going Down to the Bottom of the World": John Garfield and Enterprise 3 "I'm a Stranger Here Myself": Nicholas Ray and Ida Lupino 4 "Love, Hate, Action, Violence, and Death . . . in One Word: Emotion": Joseph Losey and Samuel Fuller 5 "Put an Amen to It": The Old Masters-Welles, Hitchcock, Ford 6 Looking to the Skies: Science Fiction in the 1950s 7 "How Can You Say You Love Me . . . ?": Melodrama Conclusion: "Complete Total Final Annihilating Artistic Control"-Stanley Kubrick Explodes Containment Acknowledgments Notes Selected Bibliography Index
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