Trojan - Reiff, Ae
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In a translation of one dimension to another unlikely logic persists. In this case a horse is a house. The Trojan Horse was indeed a house. It housed a company of Greeks in its belly who brought about the downfall of the city of Troy when the horse was transported inside the gates. That night, during the Trojan victory celebration, the Greeks crept out and burned the city to the ground. So a horse was a house. Translated into the other dimension of what used to be called time, before modern timelessness began, a house became a horse, which to apply the logic, the White House of the American…mehr

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Produktbeschreibung
In a translation of one dimension to another unlikely logic persists. In this case a horse is a house. The Trojan Horse was indeed a house. It housed a company of Greeks in its belly who brought about the downfall of the city of Troy when the horse was transported inside the gates. That night, during the Trojan victory celebration, the Greeks crept out and burned the city to the ground. So a horse was a house. Translated into the other dimension of what used to be called time, before modern timelessness began, a house became a horse, which to apply the logic, the White House of the American executive carried within itself the forces of betrayal that burned the nation to the ground. Any time we go to another dimension however relations double, so not only did the house become a horse destroy the nation, it did so in such a way that the nation was exalted to a Higher status. The White House Horse therefore became a a prophetic white house horse of the first seal of Revelation, We consider four ekphrasis of this mélange, meaning images that when analyzed amplified in words are understood. These are of two kinds. The first is an image that appears in art that is prophetic and emblematic of something besides itself, like allegory, in this case the Arab Spring and the American Taurobolium. The second form of ekphrasis is an image of a dream or a visual apparition where something seen, not made, is prophetic and emblematic, in this case the Centaur President who administers the Taurobolium, but the two were unconnected when they appeared, and the Rhinoceros in the Room, a conundrum connected with Ludwig Wittgenstein's view of the empirical concompetent with the sudden appearance of a rhinoceros running across a piano. Wittgenstein and the appearance of this rhino must be connected somehow, but after its appearance the rhinoceros was modeled and as a finished ceramic, too big however to fit on the piano. For obvious reasons this work is denominated fiction since it signposts an alternate reality otherwise too obscure to notice, in the contexts of nations, politics and world dominion heavily influenced by biblical and mythological paradigms. To bring these fantastic entities from their inter dimensional existence into our own we offer images of them as a Rhinoceros running across a keyboard, blowing the Egyptian Zodiac of the Arab Spring up, a Centaur president of the Trojan White House to open the First Seal, none of the actualities can be believed, as when we see "an arm, a leg, a shoulder and a hoof -- SUDDEN LEGS AND HOOVES SPROUTED OUT as these centaurs of that deformed CLOUD hatched also the first AI -- a semivirumque bovem head of Goldman Sachs--the anti-head that grazed where pedestrians carried links to 40,000 satellites circling earth and the nation cooks in a crock pot belly of a bull.
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