This book examines the theory, originally raised in Gilles Deleuze's philosophy of film, that cinema has the power to restore our trust in the world. Früchtl demonstrates that cinema does this in three main ways: by restoring our belief in the absurd, in the body and in a sceptical abstention from judging and acting.
This book examines the theory, originally raised in Gilles Deleuze's philosophy of film, that cinema has the power to restore our trust in the world. Früchtl demonstrates that cinema does this in three main ways: by restoring our belief in the absurd, in the body and in a sceptical abstention from judging and acting.
Josef Früchtl is Professor of Philosophy of Art and Culture at the University of Amsterdam, The Netherlands. His major research interests are aesthetics, especially the relationship between aesthetics and ethics, theories of modernity, critical theory, and the philosophy of film. He is the author of The Impertinent Self: A Heroic History of Modernity (2009).
Inhaltsangabe
1. Gilles Deleuze and Belief in the World 2. A Struggle against Oneself: Cinema as Technology of the Self 3. The Evidence of Film and the Presence of the World: Jean-Luc Nancy's Cineastic Ontology 4. Cinema as Human Art: Rescuing Aura in Gesture 5. Exhibiting or Presenting? Politics, Aesthetics and Mysticism in Benjamin's and Deleuze's Concepts of Cinema 6. Made and Yet True: On the Aesthetics of Presence of the Heroic 7. An Art of Gesture: Returning Narrative and Movement to Images 8. It Is if we Could Trust: Fiction and Aesthetics of the Political 9. All You Need is Love: Cavell and the Comedy of Remarriage of Film and Philosophy
1. Gilles Deleuze and Belief in the World 2. A Struggle against Oneself: Cinema as Technology of the Self 3. The Evidence of Film and the Presence of the World: Jean-Luc Nancy's Cineastic Ontology 4. Cinema as Human Art: Rescuing Aura in Gesture 5. Exhibiting or Presenting? Politics, Aesthetics and Mysticism in Benjamin's and Deleuze's Concepts of Cinema 6. Made and Yet True: On the Aesthetics of Presence of the Heroic 7. An Art of Gesture: Returning Narrative and Movement to Images 8. It Is if we Could Trust: Fiction and Aesthetics of the Political 9. All You Need is Love: Cavell and the Comedy of Remarriage of Film and Philosophy
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