"Bert Winther-Tamaki explores how Japanese artists have continually sought a passionate and redemptive engagement with earth. By focusing on the role of tsuchi (earthy materials such as soil and clay) as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment"--
"Bert Winther-Tamaki explores how Japanese artists have continually sought a passionate and redemptive engagement with earth. By focusing on the role of tsuchi (earthy materials such as soil and clay) as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment"--
Bert Winther-Tamaki is professor in the art history department and visual studies program at the University of California, Irvine.
Inhaltsangabe
Introduction: Japanese Cultures of Earth I. The Postwar Silos of Tsuchi Media 1. Ceramics: Earth Flavor in Fired Clay 2. Photography: Soil Conditions in the Lens 3. Avant-Garde Actions: Wrestling and Digging Earthy Materials II. Convergence and Proliferation since the 1980s 4. The Bubble and Its Aftermath: Containment of Spillage and Blast 5. Earth Diving before and after the Triple Disaster Epilogue: Tsuchi in the Contaminated World to Come Acknowledgments Notes Index
Introduction: Japanese Cultures of Earth I. The Postwar Silos of Tsuchi Media 1. Ceramics: Earth Flavor in Fired Clay 2. Photography: Soil Conditions in the Lens 3. Avant-Garde Actions: Wrestling and Digging Earthy Materials II. Convergence and Proliferation since the 1980s 4. The Bubble and Its Aftermath: Containment of Spillage and Blast 5. Earth Diving before and after the Triple Disaster Epilogue: Tsuchi in the Contaminated World to Come Acknowledgments Notes Index
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