Tudor Books and Readers
Materiality and the Construction of Meaning. Edited by John N. King
Herausgeber: King, John N.
Tudor Books and Readers
Materiality and the Construction of Meaning. Edited by John N. King
Herausgeber: King, John N.
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These essays by expert historians of the book exploring all aspects of Tudor book culture.
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These essays by expert historians of the book exploring all aspects of Tudor book culture.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 290
- Erscheinungstermin: 9. Oktober 2012
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 424g
- ISBN-13: 9781107412552
- ISBN-10: 1107412552
- Artikelnr.: 37467589
- Verlag: Cambridge University Press
- Seitenzahl: 290
- Erscheinungstermin: 9. Oktober 2012
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 424g
- ISBN-13: 9781107412552
- ISBN-10: 1107412552
- Artikelnr.: 37467589
Introduction John N. King; 1. Prologue: the first years of the Tudor
monarchy and the printing press Lotte Hellinga; Part I. Book Format,
Marketing, and the Reception of Books: 2. The myth of the cheap quarto
Joseph A. Dane and Alexandra Gillespie; 3. English literary folios
1593-1623: studying shifts in format Steven K. Galbraith; 4. Closing the
books: the problematic printing of John Foxe's histories of Henry VII and
Henry VIII in his Book of Martyrs (1570) Elizabeth Evenden; Part II. Print,
Politics and Patronage: 5. 'This heavenly boke, more precyous than golde':
legitimating print in early Tudor England Douglas A. Brooks; 6. Authorial
and editorial influence on luxury bookbinding styles in sixteenth-century
England Robert J. D. Harding; 7. Print in the time of parliament: 1560-1601
Cynthia Susan Clegg; Part III. Reading and Religion: 8. 'The spider and the
bee': the perils of printing for refutation in Tudor England Alexandra
Walsham; 9. Reading the woodcuts in John Foxe's Book of Martyrs John N.
King; 10. Readers' marks and religious practice: Margaret Hoby's marginalia
Andrew Cambers; 11. Books in the bedchamber: religion, accounting, and the
library of Richard Stonley Jason Scott-Warren; Select bibliography; Index.
monarchy and the printing press Lotte Hellinga; Part I. Book Format,
Marketing, and the Reception of Books: 2. The myth of the cheap quarto
Joseph A. Dane and Alexandra Gillespie; 3. English literary folios
1593-1623: studying shifts in format Steven K. Galbraith; 4. Closing the
books: the problematic printing of John Foxe's histories of Henry VII and
Henry VIII in his Book of Martyrs (1570) Elizabeth Evenden; Part II. Print,
Politics and Patronage: 5. 'This heavenly boke, more precyous than golde':
legitimating print in early Tudor England Douglas A. Brooks; 6. Authorial
and editorial influence on luxury bookbinding styles in sixteenth-century
England Robert J. D. Harding; 7. Print in the time of parliament: 1560-1601
Cynthia Susan Clegg; Part III. Reading and Religion: 8. 'The spider and the
bee': the perils of printing for refutation in Tudor England Alexandra
Walsham; 9. Reading the woodcuts in John Foxe's Book of Martyrs John N.
King; 10. Readers' marks and religious practice: Margaret Hoby's marginalia
Andrew Cambers; 11. Books in the bedchamber: religion, accounting, and the
library of Richard Stonley Jason Scott-Warren; Select bibliography; Index.
Introduction John N. King; 1. Prologue: the first years of the Tudor
monarchy and the printing press Lotte Hellinga; Part I. Book Format,
Marketing, and the Reception of Books: 2. The myth of the cheap quarto
Joseph A. Dane and Alexandra Gillespie; 3. English literary folios
1593-1623: studying shifts in format Steven K. Galbraith; 4. Closing the
books: the problematic printing of John Foxe's histories of Henry VII and
Henry VIII in his Book of Martyrs (1570) Elizabeth Evenden; Part II. Print,
Politics and Patronage: 5. 'This heavenly boke, more precyous than golde':
legitimating print in early Tudor England Douglas A. Brooks; 6. Authorial
and editorial influence on luxury bookbinding styles in sixteenth-century
England Robert J. D. Harding; 7. Print in the time of parliament: 1560-1601
Cynthia Susan Clegg; Part III. Reading and Religion: 8. 'The spider and the
bee': the perils of printing for refutation in Tudor England Alexandra
Walsham; 9. Reading the woodcuts in John Foxe's Book of Martyrs John N.
King; 10. Readers' marks and religious practice: Margaret Hoby's marginalia
Andrew Cambers; 11. Books in the bedchamber: religion, accounting, and the
library of Richard Stonley Jason Scott-Warren; Select bibliography; Index.
monarchy and the printing press Lotte Hellinga; Part I. Book Format,
Marketing, and the Reception of Books: 2. The myth of the cheap quarto
Joseph A. Dane and Alexandra Gillespie; 3. English literary folios
1593-1623: studying shifts in format Steven K. Galbraith; 4. Closing the
books: the problematic printing of John Foxe's histories of Henry VII and
Henry VIII in his Book of Martyrs (1570) Elizabeth Evenden; Part II. Print,
Politics and Patronage: 5. 'This heavenly boke, more precyous than golde':
legitimating print in early Tudor England Douglas A. Brooks; 6. Authorial
and editorial influence on luxury bookbinding styles in sixteenth-century
England Robert J. D. Harding; 7. Print in the time of parliament: 1560-1601
Cynthia Susan Clegg; Part III. Reading and Religion: 8. 'The spider and the
bee': the perils of printing for refutation in Tudor England Alexandra
Walsham; 9. Reading the woodcuts in John Foxe's Book of Martyrs John N.
King; 10. Readers' marks and religious practice: Margaret Hoby's marginalia
Andrew Cambers; 11. Books in the bedchamber: religion, accounting, and the
library of Richard Stonley Jason Scott-Warren; Select bibliography; Index.