Beginning with 1970s Socialist Yugoslavia, Uro ¿voro explores the cultural and political paradoxes of turbo-folk. Taking as its starting point turbo-folk's popularity across national borders, ¿voro analyses key songs and performers in Serbia, Slovenia and Croatia.
Beginning with 1970s Socialist Yugoslavia, Uro ¿voro explores the cultural and political paradoxes of turbo-folk. Taking as its starting point turbo-folk's popularity across national borders, ¿voro analyses key songs and performers in Serbia, Slovenia and Croatia.
Uro ¿voro is a Senior Lecturer in Art Theory at UNSW Australia. His research areas include contemporary art and national identity, popular culture and post-socialism, and the relation between contemporary art and politics.
Inhaltsangabe
Introduction The Three Stories of Turbo folk; Part I Turbo nation: Turbo folk and Representations of National Identity in Former Yugoslavia, 1970 2010; Chapter 1 The People's Eastern Kitsch: Self management, Modernisation and 'Newly Composed Folk Music' in Yugoslavia; Chapter 2 Remember the Nineties?: Turbo folk as the Vanishing Mediator of Nationalism; Chapter 3 Beyond Serbia: Turbo folk across Cultural and National Boundaries; Part II Turbo culture: Cultural Responses to Turbo folk; Chapter 4 Turbo art: Music and National Identity in the Work of Contemporary Artists from Former Yugoslavia; Chapter 5 They Can Be Heroes: Popular Culture and Public Sculpture in Former Yugoslavia; Chapter 6 Singin' in the Film: Turbo folk and Self exoticisation in the Films of Sr?an Dragojevi?; conclusion Conclusion;
Introduction The Three Stories of Turbo folk; Part I Turbo nation: Turbo folk and Representations of National Identity in Former Yugoslavia, 1970 2010; Chapter 1 The People's Eastern Kitsch: Self management, Modernisation and 'Newly Composed Folk Music' in Yugoslavia; Chapter 2 Remember the Nineties?: Turbo folk as the Vanishing Mediator of Nationalism; Chapter 3 Beyond Serbia: Turbo folk across Cultural and National Boundaries; Part II Turbo culture: Cultural Responses to Turbo folk; Chapter 4 Turbo art: Music and National Identity in the Work of Contemporary Artists from Former Yugoslavia; Chapter 5 They Can Be Heroes: Popular Culture and Public Sculpture in Former Yugoslavia; Chapter 6 Singin' in the Film: Turbo folk and Self exoticisation in the Films of Sr?an Dragojevi?; conclusion Conclusion;
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