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The notion that wars impel conceptual and aesthetic innovations is well-established in studies of modern literature. This book offers nuance to such accounts by exposing and exploring the reparative work done by counterfactual speculations and traditional imaginative forms in post-war writings by Henry James, Elizabeth Bowen and Kazuo Ishiguro.

Produktbeschreibung
The notion that wars impel conceptual and aesthetic innovations is well-established in studies of modern literature. This book offers nuance to such accounts by exposing and exploring the reparative work done by counterfactual speculations and traditional imaginative forms in post-war writings by Henry James, Elizabeth Bowen and Kazuo Ishiguro.
Autorenporträt
Rachel Bryan is Post-Doctoral Research Fellow in English Literature at All Souls College, University of Oxford. Her work has appeared in Essays in Criticism, The Review of English Studies, and The Henry James Review. She is currently co-editing The Other House for Cambridge University Press's Complete Fiction of Henry James.