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One of the most controversial and inflammatory philosophers in western civilization, Friedrich Nietzsche summarized his extraordinary ideas in "The Twilight of the Idols". Appropriately subtitled "How One Philosophizes with a Hammer", this work is a polemic on many of the ideas of his day, especially what he describes as the 'The Problem of Socrates' and 'The Four Great Errors'. Through the process of self-deception Nietzsche discusses the tendency of man to confuse cause and effect. By examining the concepts of accountability and free will, as they relate to vice and morality, Nietzsche…mehr

Produktbeschreibung
One of the most controversial and inflammatory philosophers in western civilization, Friedrich Nietzsche summarized his extraordinary ideas in "The Twilight of the Idols". Appropriately subtitled "How One Philosophizes with a Hammer", this work is a polemic on many of the ideas of his day, especially what he describes as the 'The Problem of Socrates' and 'The Four Great Errors'. Through the process of self-deception Nietzsche discusses the tendency of man to confuse cause and effect. By examining the concepts of accountability and free will, as they relate to vice and morality, Nietzsche attacks the prevalent philosophical systems of his time. Written in just over a week, "The Twilight of the Idols", prepares readers for the principles addressed in "The Anti-Christ". Also written in 1888, it expands on Nietzsche's blatant disagreements with institutional Christianity. Written to deliberately provoke the reader, Nietzsche's philosophy is perhaps most shocking not in its frank negativity concerning nearly all aspects of humanity, but in the profound depth of its understanding of human nature and the optimism which subtly affirms the capabilities and possibilities of mankind. This edition is printed on premium acid-free paper and is translated by Thomas Common with an introduction by Willard Huntington Wright.
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Autorenporträt
The philosopher's philosopher, Nietzsche is almost invariably misquoted, taken out-of-context, or otherwise misused - and especially so in the Anglophone world, where the long shadow of mischief using his name and writings - both in translation and in his native German - still sees him invariably cast as a sort of bogeyman, or "moral-monster". This is despite, or perhaps because of the beauty of his writing, and the originality - and many profound implications - of his philosophy.