Twisthorn Bellow - Hughes, Rhys
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It may come as no surprise that France wants to take over the world again. But this time they plan to go much further and gain control of the spiritual dimensions too, making French the official language of the Afterlife! Twisthorn Bellow is a freshly baked golem who has fallen into a vat of nitro-glycerine, turning him into a living stick of dynamite. As well as battling against monsters and rock musicians, he's the only thing that can preserve and protect the glorious British Empire and prevent the Frenchification of the entire cosmos. But considering the French have all the best ideas and tunes, he doesn't stand a soufflé in Hell's chance!…mehr

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Produktbeschreibung
It may come as no surprise that France wants to take over the world again. But this time they plan to go much further and gain control of the spiritual dimensions too, making French the official language of the Afterlife! Twisthorn Bellow is a freshly baked golem who has fallen into a vat of nitro-glycerine, turning him into a living stick of dynamite. As well as battling against monsters and rock musicians, he's the only thing that can preserve and protect the glorious British Empire and prevent the Frenchification of the entire cosmos. But considering the French have all the best ideas and tunes, he doesn't stand a soufflé in Hell's chance!
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Autorenporträt
Rhys Hughes was born in 1966 and began writing from an early age. His first short story was published in 1991 and his first book, the now legendary Worming the Harpy, followed four years later. Since then he has published more than thirty books and his work has been translated into ten languages and he is currently one of the most prolific and successful authors in Wales. Mostly known for absurdist works, his range in fact encompasses styles as diverse as gothic, experimental, science fiction, magic realism, fantasy and realism. His main ambition is to complete a grand sequence of exactly one thousand linked short stories, a project he has been working on for more than two decades. Each story is a standalone piece as well as a cog in the grand machine. He is finally three-quarters of the way through this opus.