Two Gentlemen of Verona
Critical Essays
Herausgeber: Schlueter, June
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Two Gentlemen of Verona
Critical Essays
Herausgeber: Schlueter, June
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Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 316
- Erscheinungstermin: 1. Dezember 1995
- Englisch
- Abmessung: 216mm x 140mm x 22mm
- Gewicht: 549g
- ISBN-13: 9780815310204
- ISBN-10: 081531020X
- Artikelnr.: 25449343
- Verlag: CRC Press
- Seitenzahl: 316
- Erscheinungstermin: 1. Dezember 1995
- Englisch
- Abmessung: 216mm x 140mm x 22mm
- Gewicht: 549g
- ISBN-13: 9780815310204
- ISBN-10: 081531020X
- Artikelnr.: 25449343
June Schlueter Charles A. Dana Professor of English at Lafayette College, holds a Ph.D from Columbia University. She is the author of Metafictional Characters in Modern Drama (1979), The Plays and Novels of Peter Handke (1981), Arthur Miller (1987) (with James K. Flannagan), King Lear (1991), and Dramatic Closure: Reading the end.
I: Criticism
Excerpt from His Edition of The Plays of William Shakespeare (1765)
Excerpt from Characters of Shakespear's Plays (1817)
Excerpt from A Study of Shakespeare (1880)
"The Female Page" from Disguise Plots in Elizabethan Drama (1915)
The Ending of The Two Gentlemen of Verona (1933)
Sir Thomas Elyot and the Integrity of The Two Gentlemen of Verona (1950)
Proteus, Wry-Transformed Traveller (1954)
Excerpt from Shakespeare's Comedies (1960)
Two Clowns in a Comedy (to say nothing of the Dog): Speed, Launce (and Crab) in The Two Gentlemen of Verona (1963)
Laughing with the Audience: The Two Gentlemen of Verona and the Popular Tradition of Comedy (1969)
"Were man but constant, he were perfect": Constancy and Consistency in The Two Gentlemen of Verona (1972)
The Two Gentlemen of Verona and the Courtesy Book Tradition (1983)
Love Letters in The Two Gentlemen of Verona (1986)
"Metamorphising" Proteus: Reversal Strategies in The Two Gentlemen of Verona (1996)
Shakespeare's Actors as Collaborators: Will Kempe and The Two Gentlemen of Verona (1996)
"I am but a foole, looke you": Launce and the Social Functions of Humor (1996)
"To be slow in words is a woman's only virtue": Silence and Satire in The Two Gentlemen of Verona (1994)
Feminine "Depth" on the Nineteenth-Century Stage (1996)
II: Theatre Reviews
European Magazine: 1821, Covent Garden, London
1895, Daly's Theatre, London
1904, Court Theatre, London
1910, His Majesty's Theatre, London
1956, The Old Vic, London
1970, Royal Shakespeare Company, Stratford-upon-Avon
1975, Stratford, Ontario
1983, BBC TV/Time Life Productions
1984, The Young Company, Stratford, Ontario
1990, The Acting Company
1991, Royal Shakespeare Company, Stratford-upon-Avon
Excerpt from His Edition of The Plays of William Shakespeare (1765)
Excerpt from Characters of Shakespear's Plays (1817)
Excerpt from A Study of Shakespeare (1880)
"The Female Page" from Disguise Plots in Elizabethan Drama (1915)
The Ending of The Two Gentlemen of Verona (1933)
Sir Thomas Elyot and the Integrity of The Two Gentlemen of Verona (1950)
Proteus, Wry-Transformed Traveller (1954)
Excerpt from Shakespeare's Comedies (1960)
Two Clowns in a Comedy (to say nothing of the Dog): Speed, Launce (and Crab) in The Two Gentlemen of Verona (1963)
Laughing with the Audience: The Two Gentlemen of Verona and the Popular Tradition of Comedy (1969)
"Were man but constant, he were perfect": Constancy and Consistency in The Two Gentlemen of Verona (1972)
The Two Gentlemen of Verona and the Courtesy Book Tradition (1983)
Love Letters in The Two Gentlemen of Verona (1986)
"Metamorphising" Proteus: Reversal Strategies in The Two Gentlemen of Verona (1996)
Shakespeare's Actors as Collaborators: Will Kempe and The Two Gentlemen of Verona (1996)
"I am but a foole, looke you": Launce and the Social Functions of Humor (1996)
"To be slow in words is a woman's only virtue": Silence and Satire in The Two Gentlemen of Verona (1994)
Feminine "Depth" on the Nineteenth-Century Stage (1996)
II: Theatre Reviews
European Magazine: 1821, Covent Garden, London
1895, Daly's Theatre, London
1904, Court Theatre, London
1910, His Majesty's Theatre, London
1956, The Old Vic, London
1970, Royal Shakespeare Company, Stratford-upon-Avon
1975, Stratford, Ontario
1983, BBC TV/Time Life Productions
1984, The Young Company, Stratford, Ontario
1990, The Acting Company
1991, Royal Shakespeare Company, Stratford-upon-Avon
I: Criticism
Excerpt from His Edition of The Plays of William Shakespeare (1765)
Excerpt from Characters of Shakespear's Plays (1817)
Excerpt from A Study of Shakespeare (1880)
"The Female Page" from Disguise Plots in Elizabethan Drama (1915)
The Ending of The Two Gentlemen of Verona (1933)
Sir Thomas Elyot and the Integrity of The Two Gentlemen of Verona (1950)
Proteus, Wry-Transformed Traveller (1954)
Excerpt from Shakespeare's Comedies (1960)
Two Clowns in a Comedy (to say nothing of the Dog): Speed, Launce (and Crab) in The Two Gentlemen of Verona (1963)
Laughing with the Audience: The Two Gentlemen of Verona and the Popular Tradition of Comedy (1969)
"Were man but constant, he were perfect": Constancy and Consistency in The Two Gentlemen of Verona (1972)
The Two Gentlemen of Verona and the Courtesy Book Tradition (1983)
Love Letters in The Two Gentlemen of Verona (1986)
"Metamorphising" Proteus: Reversal Strategies in The Two Gentlemen of Verona (1996)
Shakespeare's Actors as Collaborators: Will Kempe and The Two Gentlemen of Verona (1996)
"I am but a foole, looke you": Launce and the Social Functions of Humor (1996)
"To be slow in words is a woman's only virtue": Silence and Satire in The Two Gentlemen of Verona (1994)
Feminine "Depth" on the Nineteenth-Century Stage (1996)
II: Theatre Reviews
European Magazine: 1821, Covent Garden, London
1895, Daly's Theatre, London
1904, Court Theatre, London
1910, His Majesty's Theatre, London
1956, The Old Vic, London
1970, Royal Shakespeare Company, Stratford-upon-Avon
1975, Stratford, Ontario
1983, BBC TV/Time Life Productions
1984, The Young Company, Stratford, Ontario
1990, The Acting Company
1991, Royal Shakespeare Company, Stratford-upon-Avon
Excerpt from His Edition of The Plays of William Shakespeare (1765)
Excerpt from Characters of Shakespear's Plays (1817)
Excerpt from A Study of Shakespeare (1880)
"The Female Page" from Disguise Plots in Elizabethan Drama (1915)
The Ending of The Two Gentlemen of Verona (1933)
Sir Thomas Elyot and the Integrity of The Two Gentlemen of Verona (1950)
Proteus, Wry-Transformed Traveller (1954)
Excerpt from Shakespeare's Comedies (1960)
Two Clowns in a Comedy (to say nothing of the Dog): Speed, Launce (and Crab) in The Two Gentlemen of Verona (1963)
Laughing with the Audience: The Two Gentlemen of Verona and the Popular Tradition of Comedy (1969)
"Were man but constant, he were perfect": Constancy and Consistency in The Two Gentlemen of Verona (1972)
The Two Gentlemen of Verona and the Courtesy Book Tradition (1983)
Love Letters in The Two Gentlemen of Verona (1986)
"Metamorphising" Proteus: Reversal Strategies in The Two Gentlemen of Verona (1996)
Shakespeare's Actors as Collaborators: Will Kempe and The Two Gentlemen of Verona (1996)
"I am but a foole, looke you": Launce and the Social Functions of Humor (1996)
"To be slow in words is a woman's only virtue": Silence and Satire in The Two Gentlemen of Verona (1994)
Feminine "Depth" on the Nineteenth-Century Stage (1996)
II: Theatre Reviews
European Magazine: 1821, Covent Garden, London
1895, Daly's Theatre, London
1904, Court Theatre, London
1910, His Majesty's Theatre, London
1956, The Old Vic, London
1970, Royal Shakespeare Company, Stratford-upon-Avon
1975, Stratford, Ontario
1983, BBC TV/Time Life Productions
1984, The Young Company, Stratford, Ontario
1990, The Acting Company
1991, Royal Shakespeare Company, Stratford-upon-Avon