Ukrainian dance is remarkably enduring in its popularity and still performed in numerous cultural contexts. This text unpacks the complex world of this ethnic dance, with special attention to the differences between vival dance and reflective dance. Further sub-groups are examined, including national dances, recreational/educational dances, and spectacular dances on stage.
Ukrainian dance is remarkably enduring in its popularity and still performed in numerous cultural contexts. This text unpacks the complex world of this ethnic dance, with special attention to the differences between vival dance and reflective dance. Further sub-groups are examined, including national dances, recreational/educational dances, and spectacular dances on stage.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andriy Nahachewsky has been a performer, choreographer, adjudicator, and historian of Ukrainian dance for over forty years. He has researched Ukrainian dance and other elements of traditional culture in Canada, Ukraine, USA, Brazil, the former Yugoslavia, Slovakia and several other countries.
Inhaltsangabe
Table of Contents Acknowledgments Preface 1. Basic Concepts 2. Purposes for Dancing 3. Ethnic Dance 4. Peasants Dancing 5. Geographic Zones 6. Historical Zones 7. Improvisation 8. Vival and Re ective Communities 9. National Dance Traditions 10. Typical Characteristics of National Dance 11. Variations in the National Paradigm 12. Recreational and Educational Dance 13. Spectacular Dance 14. Ballet and the Proscenium 15. Theatricalizing a Dance 16. Three Principles of Staging 17. Moiseyev and Virsky 18. First Versus Third Principles of Staging 19. Expanding Perspectives Notes Bibliography Index
Table of Contents Acknowledgments Preface 1. Basic Concepts 2. Purposes for Dancing 3. Ethnic Dance 4. Peasants Dancing 5. Geographic Zones 6. Historical Zones 7. Improvisation 8. Vival and Re ective Communities 9. National Dance Traditions 10. Typical Characteristics of National Dance 11. Variations in the National Paradigm 12. Recreational and Educational Dance 13. Spectacular Dance 14. Ballet and the Proscenium 15. Theatricalizing a Dance 16. Three Principles of Staging 17. Moiseyev and Virsky 18. First Versus Third Principles of Staging 19. Expanding Perspectives Notes Bibliography Index
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