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The shockingly audacious conclusion to the international bestselling phenomenon that began with Maestra .
If you can't beat them - kill them
First there was Maestra . Then there was Domina . Now - there is Ultima .
Glamorous international art-dealer Elizabeth Teerlinc knows a thing or two about fakes. After all, she is one herself.
Her real identity, Judith Rashleigh, is buried under a layer of lies. Not to mention the corpses of the men foolish enough to get in her way.
But now, caught in the murderous crossfire between a Russian Mafia boss and a corrupt Italian police detective, Judith is forced to create an even more daring work of art - a fake masterpiece she must take to the world-famous auction house where she used to be a lowly assistant and sell for $150 million.
For Judith the prospect of putting one over her loathsome former employer and the world's art establishment is almost as thrilling as the extreme sex she's addicted to -especially when the price of failure is a bullet in the back of the head.
But exposing her new identity to the glare of the spotlight puts her at risk of an even greater danger. Like a beautiful painting stripped of its layers of varnish, something altogether different could be revealed.
A truth about her past even Judith might find shocking.
Praise for the Maestra series
'Like a ritzy 50 Shades meets The Da Vinci Code . . . ' INDEPENDENT
'Funny and clever, entertaining and well written' THE TIMES
'A rip-roaring read' DAILY MAIL
' Fantastically good fun . . . L.S. Hilton can write' THE SUNDAY TIMES
'Brimming with scandal, intrigue and mystery ' HEAT
'Deliciously decadent . . . a glamorous and racy adventure' SUNDAY MIRROR
' Patricia Highsmith crossed with Gone Girl ' HARPERS BAZAAR
'Smart, pacy and very rude' GLAMOUR
'A gloriously dark thriller' GRAZIA
'A whirlwind thriller' COSMOPOLITAN
'At least two jaw-on-the-floor moments and sex scenes that would make Christian Grey blush ' RED MAGAZINE
If you can't beat them - kill them
First there was Maestra . Then there was Domina . Now - there is Ultima .
Glamorous international art-dealer Elizabeth Teerlinc knows a thing or two about fakes. After all, she is one herself.
Her real identity, Judith Rashleigh, is buried under a layer of lies. Not to mention the corpses of the men foolish enough to get in her way.
But now, caught in the murderous crossfire between a Russian Mafia boss and a corrupt Italian police detective, Judith is forced to create an even more daring work of art - a fake masterpiece she must take to the world-famous auction house where she used to be a lowly assistant and sell for $150 million.
For Judith the prospect of putting one over her loathsome former employer and the world's art establishment is almost as thrilling as the extreme sex she's addicted to -especially when the price of failure is a bullet in the back of the head.
But exposing her new identity to the glare of the spotlight puts her at risk of an even greater danger. Like a beautiful painting stripped of its layers of varnish, something altogether different could be revealed.
A truth about her past even Judith might find shocking.
Praise for the Maestra series
'Like a ritzy 50 Shades meets The Da Vinci Code . . . ' INDEPENDENT
'Funny and clever, entertaining and well written' THE TIMES
'A rip-roaring read' DAILY MAIL
' Fantastically good fun . . . L.S. Hilton can write' THE SUNDAY TIMES
'Brimming with scandal, intrigue and mystery ' HEAT
'Deliciously decadent . . . a glamorous and racy adventure' SUNDAY MIRROR
' Patricia Highsmith crossed with Gone Girl ' HARPERS BAZAAR
'Smart, pacy and very rude' GLAMOUR
'A gloriously dark thriller' GRAZIA
'A whirlwind thriller' COSMOPOLITAN
'At least two jaw-on-the-floor moments and sex scenes that would make Christian Grey blush ' RED MAGAZINE